Wednesday, 25 April 2012

New Spring/Summer Contemporary Arts Programme

Parsonage Press Release:
Costumes from the recent film adaptation of Jane Eyre, starring Mia Wasikowska (in the photo), Michael Fassbender, Jamie Bell and Dame Judi Dench will be on show at the Bronte Parsonage Museum in a new exhibition which opens on Thursday 3 May. Visitors to the museum will be able to see some of the original costumes worn by the cast, displayed in the period rooms of the Parsonage. The exhibition is one of the highlights of the Bronte Parsonage Museum’s new season of contemporary arts events which is announced today. 

Artist Rebecca Chesney will be exhibiting new visual art work created during her year-long residency investigating the Brontes and the weather, in her exhibition Hope’s whisper which will open on 22nd June. Landscape photographer Simon Warner is artist in residence 2012 for the Watershed Landscape project, a three year programme to enhance, promote and care for the moorland areas of the South Pennines. His exhibition, Ways to the stone house, will open on 28 September and feature a series of tiny landscape films, shot on the moors above Haworth, for display in the period rooms of the Bronte Parsonage Museum. The exhibition will also document the progressive ruination of Top Withens (believed to be the inspiration for Wuthering Heights), using photographs from the Parsonage archives as well as iconic images by Bill Brandt, Fay Godwin and Alexander Keighley, and will include an original sketch of Top Withens by Sylvia Plath, made on her first visit with Ted Hughes in 1956. Watershed Landscape is managed by Pennine Prospects supported by Bradford Museums and Galleries. As part of his exhibition, Simon Warner will also be curating a one-day symposium on Landscape and Literature in Haworth on Saturday 6 October. The full programme will be released shortly, and the day’s key note speaker will beSimon Armitage. 

Also visiting Haworth as part of the new season of events will be novelist Victoria Hislop on 5 July, and Dickens scholar Michael Slater will be discussing the Brontes and Dickens on the afternoon of 8 June. On the evening of 9 June, panellists Bonnie Greer, Terry Eagleton and Caryl Phillipswill be discussing the themes of race and slavery in Wuthering Heights, following a screening of the documentary A Regular Black, which explores the connections between the fictional Earnshaws in Wuthering Heights and the slave-owning families of Yorkshire. The museum will also be hosting the third Bronte Festival of Women’s Writing this summer. The weekend of readings, talks, workshops and family events will take place 31 August- 2 September and the festival will open with an event with novelist Sadie Jones on 31 August. The full festival programme will be announced in June. 

The Bronte Parsonage Museum’s contemporary arts programme is funded by Arts Council England and the Esmee Fairbairn Foundation. A full list of events is detailed below: 

Thursday 3 May until Thursday 20 September Costumes from Jane Eyre 2011  Brontë Parsonage Museum
An exhibition of the Oscar-nominated costumes from the 2011 film adaptation of Jane Eyre, displayed in the period rooms of the museum. The designer, Michael O’Connor, previously won an Academy Award and BAFTA for Best Costume Design for the 2009 film The Duchess.Exhibition free with admission to the museum 

Friday 8 June, 2pm Dickens and the Brontës: Heritage Authors  West Lane Baptist Centre, Haworth

To mark the 2012 Dickens bicentenary, and on the eve of the anniversary of Dickens’ death in 1870, Michael Slater compares and contrasts the connections between Charles Dickens and the Brontës as ‘heritage authors’; their impact on national culture, the creation of societies of dedicated enthusiasts, and the myths that have been built around their lives and works. Michael Slater is Emeritus Professor of Victorian Literature at Birkbeck College, University of London, past President of the International Dickens Fellowship and of the Dickens Society of America, and former editor of the journal 'The Dickensian'. His biography Charles Dickens was published in 2009. Tickets £6 and should be booked in advance from / 01535 640188. 

Saturday 9 June, 8pm Origin and slavery in Wuthering Heights  West Lane Baptist Centre, Haworth

The casting of a mixed race Heathcliff in Andrea Arnold’s 2011 film adaptation of Wuthering Heights put issues of race into the spotlight. Who is Heathcliff? Where does his destructive anger come from? Could Emily Brontë have been hinting at a darker secret than previously imagined? The documentary A Regular Black: The Hidden Wuthering Heights examines themes of slavery and race coded into the text, and uncovers parallels between the fictional Earnshaws and the slave-owning families of Yorkshire. Following a screening of the documentary, panellists Terry Eagleton, Bonnie Greer and Caryl Phillips will tease out some of the themes. The evening will offer a fascinating new reading of the novel, and the audience will be invited to join in the debate. Professor Terry Eagleton is one of Britain’s most influential literary critics. He is Distinguished Professor of English Literature at Lancaster University, and has written many books, including Literary Theory: An Introduction (1983), The Ideology of the Aesthetic (1990), Heathcliff and the Great Hunger (1995) and Why Marx was Right (2011). Bonnie Greer OBE is a playwright, critic, broadcaster and novelist. She is the author of Entropy (2009), Obama Song (2009) and the biography Langston Hughes: the Value Of Contradiction (2011). Bonnie Greer is Deputy Chairman of the British Museum and President of the Brontë Society. Caryl Phillips is a novelist, playwright and critic. His novel A Distant Shore won the 2004 Commonwealth Writers Prize, and Crossing The River was shortlisted for the Booker Prize. He has won the Martin Luther King Memorial Prize, a Guggenheim Fellowship, a Lannan Fellowship, and the James Tait Black Memorial Prize. Caryl Phillips is Professor of English at Yale University.
 Tickets £12 and should be booked in advance from / 01535 640188.

Friday 22 June – Wednesday 5 September  Hope’s whisper: Rebecca Chesney
Bronte Parsonage Museum

The Brontës use descriptions of weather at key emotional points in their novels, and their own daily lives were strongly influenced by the elements. In 2011 artist Rebecca Chesney installed a weather station at the Bronte Parsonage Museum, and working with a group of local weather collectors and Haworth primary school, recorded weather patterns for 12 months. Rebecca has cross referenced this meteorological data with descriptions of weather in the Brontes’ letters and novels to create new visual artwork for exhibition at the Brontë Parsonage Museum. The exhibition continues at South Square Gallery in Thornton (the Bronte birthplace), from 6 to 29 July. can read more about the weather project on Rebecca’s blog: Rebecca Chesney is an artist based in Preston. Her work looks at rural and urban landscapes, changing environments and human activity. Previous projects include Diligent Observationat Yorkshire Sculpture Park (2011), Five Rivers at Morecambe Bay (2008) and Death Equals All Things, Bolton Museum and Art Gallery (2007). Exhibition free with admission to the museum. 

Thursday 26 July, 7pm  Literary Weather  Brontë Parsonage Museum

To accompany her exhibition, Rebecca Chesney will be in conversation with writer and critic Alexandra Harris on the cultural significance of weather. Alexandra Harris is the author ofRomantic ModernsEnglish Writers, Artists and the Imagination from Virginia Woolf to John Piper, which won the Guardian First Book Award in 2010. Alexandra Harris is currently writing a cultural history of weather. The evening will explore how the Brontës’ use of literary weather compares with other writers, and will be accompanied with readings of ‘weathery’ passages from literature. The evening takes place at the museum after closing, and tea and cake will be served. Places are limited to 14. Tickets £16 and must be booked in advance from / 01535 640188. 

Thursday 5 July, 7.30pm Victoria Hislop  West Lane Baptist Centre, Haworth

Victoria Hislop visits Haworth to discuss her work and latest novel, The Thread.Victoria Hislop read English at Oxford, and worked in publishing and as a journalist before becoming a novelist. Her first two novels, The Island and The Return, were Sunday Times number one bestsellers and have been translated into more than twenty languages. Victoria won the Newcomer of the Year at the Galaxy British Book Awards 2007 and the Richard & Judy Summer Read competition. Her third novel, The Thread was published in November 2011. Victoria Hislop has written the introduction to the White’s edition of Wuthering Heights and describes the novel as “the book that changed me…it woke me up”. Tickets £6 and should be booked in advance from / 01535 640188 

Brontë Festival of Women’s Writing  Friday 31 – Sunday 2 September  Brontë Parsonage Museum and other venues in Haworth

The festival of women’s writing will be back for its third year, with an increased focus on creative writing and participation. The full programme will be announced in June and will include creative writing workshops, practical activities and talks by prominent and emerging women writers. We’re delighted to announce that the 2012 festival will be opened by novelist Sadie Jones. If you wish to receive festival details as soon as they are released, please contact to join the mailing list. 

Friday 31 August, 7.30pm  Sadie JonesWest Lane Baptist Centre, Haworth

Sadie Jones’s first novel, The Outcast (2008) was the winner of the Costa First Novel Award. It was also shortlisted for the Orange Prize. Her second novel, Small Wars (2009) was longlisted for the Orange Prize. The Uninvited Guests (2012) is her third novel. 

Friday 28 September – Monday 3 December  Ways to the stone house: Simon Warner  Brontë Parsonage Museum

Landscape photographer and filmmaker Simon Warner is artist in residence 2012 for the Watershed Landscape project, a three year programme to enhance, promote and care for the moorland areas of the South Pennines. Simon Warner will create a series of tiny landscape films, shot on the moors above Haworth, for display in the period rooms of the Bronte Parsonage Museum. The exhibition will also document the progressive ruination of Top Withens, using photographs from the Parsonage archives as well as iconic images by Bill Brandt, Fay Godwin and Alexander Keighley, and will include an original sketch of Top Withens by Sylvia Plath, made on her first visit with Ted Hughes in 1956. Watershed Landscape is managed by Pennine Prospects supported by Bradford Museums and Galleries. Simon Warner is a landscape filmmaker and photographer with research interests in early photography and optical history. Recent work includes Overworlds and Underworlds for the Cultural Olympiad, and The Arts of Place in Bradford (2010). His solo exhibitions include A Guide to Yorkshire Rivers at Impressions Gallery and Leaving Home at the Brontë Parsonage Museum. Transported (2009) was a residency on the 36 bus route between Leeds and Harewood. Simon Warner was long-listed for the Northern Art Prize 2011. Exhibition free with admission to the museum Unbounded Moor: A Symposium on Landscape and Literature

Saturday 6 October, 10.30am – 4pm  West Lane Baptist Centre, Haworth

As part of his Watershed Landscape residency Simon Warner will curate a one day symposium exploring the theme of ‘Landscape and Literature’. The day will feature a keynote address from poet Simon Armitage, as well as contributions from artists, experts and academics. Full details will follow in our October programme but for further information / 01535 640188. For further information please contact the Arts Officer:01535  


B. Skilet said...

That looks to be a very interesting programme- thank you for bringing it to wider attention.
An article which appeared earlier this month in 'The Telegraph' was passed on to me which showed a picture of what was called 'The Bronte Trio'. A hitherto unknown waterclour of the sisters, believed to be by the artist Sir Edwin Landseer, was due to be auctioned in Northamptonshire.Apparently the picture was withdrawn from auction whilst further investigation is carried out.

Anonymous said...

WHY can't readers and particularly academics, realise that the character of Heathcliff came from Emily's imagination. She didn't need realistic insipiration - had she used that, the novel would be quite different, and probably less powerful. I have no time at all for all these speculations, especially marxist - what has that got to do with Emily Bronte?