Parsonage Press Release:
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Artist Rebecca Chesney will be exhibiting new visual art work created during her year-long residency investigating the Brontes and the weather, in her exhibition Hope’s whisper which will open on 22nd June. Landscape photographer Simon Warner is artist in residence 2012 for the Watershed Landscape project, a three year programme to enhance, promote and care for the moorland areas of the South Pennines. His exhibition, Ways to the stone house, will open on 28 September and feature a series of tiny landscape films, shot on the moors above Haworth, for display in the period rooms of the Bronte Parsonage Museum. The exhibition will also document the progressive ruination of Top Withens (believed to be the inspiration for Wuthering Heights), using photographs from the Parsonage archives as well as iconic images by Bill Brandt, Fay Godwin and Alexander Keighley, and will include an original sketch of Top Withens by Sylvia Plath, made on her first visit with Ted Hughes in 1956. Watershed Landscape is managed by Pennine Prospects supported by Bradford Museums and Galleries. As part of his exhibition, Simon Warner will also be curating a one-day symposium on Landscape and Literature in Haworth on Saturday 6 October. The full programme will be released shortly, and the day’s key note speaker will beSimon Armitage.
Also visiting Haworth as part of the new season of events will be novelist Victoria Hislop on 5 July, and Dickens scholar Michael Slater will be discussing the Brontes and Dickens on the afternoon of 8 June. On the evening of 9 June, panellists Bonnie Greer, Terry Eagleton and Caryl Phillipswill be discussing the themes of race and slavery in Wuthering Heights, following a screening of the documentary A Regular Black, which explores the connections between the fictional Earnshaws in Wuthering Heights and the slave-owning families of Yorkshire.
The Bronte Parsonage Museum’s contemporary arts programme is funded by Arts Council England and the Esmee Fairbairn Foundation.
Thursday 3 May until Thursday 20 September Costumes from Jane Eyre 2011 Brontë Parsonage Museum
An exhibition of the Oscar-nominated costumes from the 2011 film adaptation of Jane Eyre, displayed in the period rooms of the museum. The designer, Michael O’Connor, previously won an Academy Award and BAFTA for Best Costume Design for the 2009 film The Duchess.Exhibition free with admission to the museum
Friday 8 June, 2pm Dickens and the Brontës: Heritage Authors West Lane Baptist Centre, Haworth
To mark the 2012 Dickens bicentenary, and on the eve of the anniversary of Dickens’ death in 1870, Michael Slater compares and contrasts the connections between Charles Dickens and the Brontës as ‘heritage authors’; their impact on national culture, the creation of societies of dedicated enthusiasts, and the myths that have been built around their lives and works.
Saturday 9 June, 8pm Origin and slavery in Wuthering Heights West Lane Baptist Centre, Haworth
The casting of a mixed race Heathcliff in Andrea Arnold’s 2011 film adaptation of Wuthering Heights put issues of race into the spotlight. Who is Heathcliff? Where does his destructive anger come from? Could Emily Brontë have been hinting at a darker secret than previously imagined? The documentary A Regular Black: The Hidden Wuthering Heights examines themes of slavery and race coded into the text, and uncovers parallels between the fictional Earnshaws and the slave-owning families of Yorkshire. Following a screening of the documentary, panellists Terry Eagleton, Bonnie Greer and Caryl Phillips will tease out some of the themes. The evening will offer a fascinating new reading of the novel, and the audience will be invited to join in the debate.
Friday 22 June – Wednesday 5 September Hope’s whisper: Rebecca Chesney
The Brontës use descriptions of weather at key emotional points in their novels, and their own daily lives were strongly influenced by the elements. In 2011 artist Rebecca Chesney installed a weather station at the Bronte Parsonage Museum, and working with a group of local weather collectors and Haworth primary school, recorded weather patterns for 12 months. Rebecca has cross referenced this meteorological data with descriptions of weather in the Brontes’ letters and novels to create new visual artwork for exhibition at the Brontë Parsonage Museum. The exhibition continues at South Square Gallery in Thornton (the Bronte birthplace), from 6 to 29 July. www.southsquarecentre.co.ukYou can read more about the weather project on Rebecca’s blog: www.bronteweather.blogspot.com
Thursday 26 July, 7pm Literary Weather Brontë Parsonage Museum
To accompany her exhibition, Rebecca Chesney will be in conversation with writer and critic Alexandra Harris on the cultural significance of weather. Alexandra Harris is the author ofRomantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper, which won the Guardian First Book Award in 2010. Alexandra Harris is currently writing a cultural history of weather. The evening will explore how the Brontës’ use of literary weather compares with other writers, and will be accompanied with readings of ‘weathery’ passages from literature.
Thursday 5 July, 7.30pm Victoria Hislop West Lane Baptist Centre, Haworth
Victoria Hislop visits Haworth to discuss her work and latest novel, The Thread.Victoria Hislop read English at Oxford, and worked in publishing and as a journalist before becoming a novelist. Her first two novels, The Island and The Return, were Sunday Times number one bestsellers and have been translated into more than twenty languages. Victoria won the Newcomer of the Year at the Galaxy British Book Awards 2007 and the Richard & Judy Summer Read competition. Her third novel, The Thread was published in November 2011. Victoria Hislop has written the introduction to the White’s edition of Wuthering Heights and describes the novel as “the book that changed me…it woke me up”.
Brontë Festival of Women’s Writing Friday 31 – Sunday 2 September Brontë Parsonage Museum and other venues in Haworth
The festival of women’s writing will be back for its third year, with an increased focus on creative writing and participation. The full programme will be announced in June and will include creative writing workshops, practical activities and talks by prominent and emerging women writers. We’re delighted to announce that the 2012 festival will be opened by novelist Sadie Jones. If you wish to receive festival details as soon as they are released, please contact jenna.holmes@bronte.org.uk to join the mailing list.
Friday 31 August, 7.30pm Sadie JonesWest Lane Baptist Centre, Haworth
Sadie Jones’s first novel, The Outcast (2008) was the winner of the Costa First Novel Award. It was also shortlisted for the Orange Prize. Her second novel, Small Wars (2009) was longlisted for the Orange Prize. The Uninvited Guests (2012) is her third novel.
Friday 28 September – Monday 3 December Ways to the stone house: Simon Warner Brontë Parsonage Museum
Landscape photographer and filmmaker Simon Warner is artist in residence 2012 for the Watershed Landscape project, a three year programme to enhance, promote and care for the moorland areas of the South Pennines. Simon Warner will create a series of tiny landscape films, shot on the moors above Haworth, for display in the period rooms of the Bronte Parsonage Museum. The exhibition will also document the progressive ruination of Top Withens, using photographs from the Parsonage archives as well as iconic images by Bill Brandt, Fay Godwin and Alexander Keighley, and will include an original sketch of Top Withens by Sylvia Plath, made on her first visit with Ted Hughes in 1956. Watershed Landscape is managed by Pennine Prospects supported by Bradford Museums and Galleries.
As part of his Watershed Landscape residency Simon Warner will curate a one day symposium exploring the theme of ‘Landscape and Literature’. The day will feature a keynote address from poet Simon Armitage, as well as contributions from artists, experts and academics. Full details will follow in our October programme but for further information contactjenna.holmes@bronte.org.uk / 01535 640188.
2 comments:
That looks to be a very interesting programme- thank you for bringing it to wider attention.
An article which appeared earlier this month in 'The Telegraph' was passed on to me which showed a picture of what was called 'The Bronte Trio'. A hitherto unknown waterclour of the sisters, believed to be by the artist Sir Edwin Landseer, was due to be auctioned in Northamptonshire.Apparently the picture was withdrawn from auction whilst further investigation is carried out.
WHY can't readers and particularly academics, realise that the character of Heathcliff came from Emily's imagination. She didn't need realistic insipiration - had she used that, the novel would be quite different, and probably less powerful. I have no time at all for all these speculations, especially marxist - what has that got to do with Emily Bronte?
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