Looking for the 'madwoman in the attic'
Marina Saegerman writes:
I had done my research in advance and I knew the house
was only open to the public on select days and times, but we were lucky: the
house was open for visitors in the period that we were staying in the area (27
to 31 July 2016), only in the afternoon with guided tours at 2 pm, 3 pm and 4
pm. The estate is well hidden amidst trees and parkland,
and it took us a while to find the entrance. We had to park the car near the
stables and the walled garden, and then a short walk towards the House. We had to register for the
group visit in a little shed next to the house and await the guide’s arrival.
We received a brochure about the house and its history, written by the present
owner, the eleventh baronet, Sir James Graham, which made a very interesting
read. This was a good introduction to the guided tour we were about to receive.
Norton Conyers is a late medieval stately manor house,
a pleasing mix of historic styles, with
Stuart and Georgian additions. It has
been owned by the Graham family (originally from Scottish origin) since 1624
(except for a period of 20 years between 1862 and 1882). The house is steeped in history and has
welcomed a number of noteworthy guests
such as King James II, King Charles I and of course Charlotte Brontë.
With a little delay we went over to the house via the
side-entrance which still contains the bells that rang when service was
required in one of the rooms (each bell having a very specific sound for each
room). We were personally greeted and
welcomed for our guided tour by Sir James and Lady Graham in the Hall. The
first part of the tour consisted of an introduction by the current owners about
the history of the house, but also about the extensive repair and restoration
work they have been doing since 2005, when they discovered a major death-watch
beetle infestation in the wooden floorboards. Many pictures were shown of how
the house looked like during the restoration work, we could even see some real carcasses
of the destructive beetle, collected by Sir James. During the ongoing restoration
work, fascinating layers of the history of the house
have been uncovered and the owners have been able to carry out 'extensive rescue archeology', as Sir James mentions in
his brochure. The restoration work has been done with great care and a real
passion and respect for the historic
structure of the house. As a consequence of their remarkable renovation work,
Sir James and Lady Graham received the
Historic Houses Association & Sotheby’s Restoration Award 2014,
which proudly hangs on the wall in the Hall.
The most interesting part for me was of course the
link with Charlotte Brontë, who is said to have visited Norton Conyers in 1839
when she was a governess with the Sidgwick family. Lady Graham pointed out that the restoration works have enhanced
many features of Norton Conyers mentioned by Charlotte Brontë in her
description of Thornfield Hall: the battlements around the roof, the rookery,
the main broad oak staircase, the high square hall covered in family portraits
and of course the famous Mad Woman’s room in the attic.
The 'secret' staircase, hidden behind a door in
the wooden paneling on the landing near the Peacock Room – the supposed model
for Mr. Rochester’’s room in Jane Eyre
– and connecting the first floor to the
attic rooms, was discovered in November 2004 after having been blocked up for
donkey’s years. “There was no way you could tell from outside that there was
anything there,” said Sir James. This discovery aroused world-wide interest
because of the striking similarity with the story of Bertha Mason, the mad wife
of Mr. Rochester locked up in the attic in the novel Jane Eyre. The secret staircase was probably constructed in the
late seventeenth century to provide servants with a short cut from their
sleeping quarters to their workplace. It
was certainly in use when Charlotte visited and she must have heard the
story of a 'mad' woman called Mary who was
locked in the attic of Norton Conyers in the eighteenth century. In Jane Eyre the staircase is vividly
described by Charlotte and matches the concealed staircase in Norton Conyers
perfectly, now officially also called “The Jane Eyre Staircase”. This story
has most probably inspired Charlotte Brontë when writing Jane Eyre, as has the house itself.
Lady Graham showed us pictures of the staircase and of
Mad Mary’s Room, as the attic room is called, which is situated in a remote
corner of the attic. The attic is not open to the public because of the fragility
of the structure, and the staircase (which is sadly too dangerous for the
public to use) can only be seen from the landing on the first floor. Lady
Graham told us that they plan to restore
the staircase and attic rooms in time, but at the same time respecting and
keeping the specific atmosphere of the Mad Woman’s room, supposedly quite a
depressing and sad room: “this room is
in a cul-de sac in the attic, very awkward to reach, the room is north-facing
with a small gable window, it has a tragic feel about it”.
After this introduction we were allowed to wander
around in the house and visit the rooms opened to the public. Sir James and
Lady Graham stuck around and were very willing to answer any questions. I told
Lady Graham of my interest in the link of Norton Conyers with Charlotte Brontë
and she showed me the library which had been restored and re-furnished with
items that Charlotte would have seen when visiting. She pointed out a few of
these items, such as a pair of globes, a cabinet piano in the window-bay,
painting equipment, the bookcases – most of which are locked apart from one
triangular bookcase in a corner which contains “everything that could be needed
in the way of elementary works” as described in Jane Eyre. The room was re-furnished in accordance with the description
of Mr. Rochester’s study, which was used in the novel by Jane Eyre as a
classroom for Mr. Rochester’s ward Adele Varens.
Apart from the Library the rooms open to the public
are: the Dining Room, the Hall, where we started the tour, the Parlour (all on
the ground floor), the main oak staircase, and on the first floor: the landing with the 'secret' door, the Passage, the Best Bedroom (with a reproduction of
a unique wallpaper design found in an attic cupboard) and King James’s Room, where King James II and his wife stayed during their visit in 1679 - still
displaying the traditional bed they are supposed to have used. Throughout the
house, in all rooms open to the public, you can see a beautiful collection of family
portraits and other paintings related to the house and its inhabitants,
magnificent old furniture, beautiful eighteenth century plaster ceilings and
many other valuable treasures and fine art work.
The house is a real marvel, so lovingly and
passionately restored to its original grandeur, with great attention to detail,
but there is still a lot of work to be done. I was in awe when I finished the
tour. The house has indeed a special
friendly, welcoming atmosphere, which according to Sir James “results from its
having belonged to the same family for three hundred and ninety-two years”. Personally I think it is
also the result of the passion and dedication with which the current owners
have restored and taken care of the house. You can definitely see and feel this
passion in every room you visit. And some hard work has gone into the
restoration, for sure! Thanks are due to
Sir James and Lady Graham for saving this fascinating historic gem for
generations to come.
We still had to visit the walled garden and the
stable block which is also a Grade II-listed building, like the house. It covers over three acres and was
designed in the mid-eighteenth century. It still retains the essential
features of the original design: two paths meeting at the central feature (the
Orangery), flanked by greenhouses, with a small ornamental pond before it and
colourful flower and herbaceous borders everywhere in the garden. It gives the
visitor this feeling of utter tranquility, which we all need once in a while in
our busy lives.What a perfect way of ending this extraordinary visit!
And, for those unmarried souls amongst us, a special
message: Reader, you can marry here! Norton Conyers is indeed a wonderful venue for
weddings and other celebrations.
1 comment:
Marina's writing about her excursions to areas connected with the Brontes is always very interesting and her latest regarding her visit to Norton Conyers brought back some happy memories of my own two visits there.
Many few years ago, when my two daughters were quite young, I took them there after reading about one of the rare occasions the house was open to the public. We were very interested to hear the history of the house which was presented in a very informative, unstuffy and friendly manner. We were made to feel as if everyone present were regarded as friends and Sir James, quietly in the background, was setting out the cups and saucers for refreshments! At that time the hidden room had not been discovered but it had been when I went on a Bronte Society excursion- after 2004.That day members were lucky enough to be allowed- limited numbers at a time- to visit the attic room. We had to pass through a series of rooms before we eventually came to the last one. The room was bare except for a single rocking chair and I felt that it had an aura of coldness, sadness and tragedy. It was not too hard to imagine a solitary figure, confined in that cheerless room, with only a very small window to let in the light, rocking backwards and forwards all day long. It was with some relief, I recall, that I descended the narrow staircase and joined fellow members for a wander round the grounds. I probably was not the only person who would pause in their meanderings and look up to that top storey at Norton Conyers and perhaps think that in an earlier century a face could have looked longingly down on people who had the freedom to wander the grounds of that magnificent house at will.
Isobel Stirk
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