Flagship event at the Gaskell House

Lesley-Jane Rogers

Elizabeth Gaskell's House announce their flagship event in the Brontë Bicentenary commemorations: 

"LOVE, LOSS AND LONGING"  -  

Charlotte and Emily Brontë: contemporary visions of love and troubled genius expressed through the power of music and the spoken word

September 17th at 7pm, 84 Plymouth Grove, M13 9LW   Tel: 0161 273 2215 

www.elizabethgaskellhouse.co.uk/events

First Performances of song settings by Robin Walker: 'Letter to Brussels' & 'Self-Interrogation'

John Joubert: 'Six Poems of Emily Brontë'

New poetry by Edwin Stockdale 

Lesley-Jane Rogers, soprano

Janet Simpson, piano

Suzanne Casey, violin

Philip Watts and Edwin Stockdale, readers

--

Pamela Nash, Artistic Director

TICKETS :

www.quaytickets.com/elizabethgaskellhouse/Online/default.asp?doWork%3A%3AWScontent%3A%3AloadArticle=Load&BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Aarticle_id=A7539EFB-192A-4787-BAEF-6B0057A754E6

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Charlotte's birthday at Mirfield Arts Festival

We have just received photos (thanks Huddersfield Examiner) from the Mirfield Arts Festival, which took place on 16 July in good weather.

The birthday celebration flag was flown by Society stalwart Angela Crow-Woods - who talked about Charlotte Brontë's first novel The Professor to an appreciative audience, after she had finished the opening ceremony. 

Angela writes: "Young people started the festival in the morning with music and dancing, and then I officially opened the whole festival, which will hopefully be the first of many.

"This one was organised brilliantly by Jenny Tomlinson, Chair of the Friends of Mirfield Library. We also celebrated four hundred years of William Shakespeare with a performance of parts of A Midsummer Night's Dream.

"Mirfield has strong connections with the Brontës, and the Brontë Society should not forget it."

Brontës in Bloom - in Kirklees

Poetry at the Parsonage

Richard Wilcocks writes:
It was certainly a turn-up for the books: I can not recall any events even similar to this one in my experience, and I am guessing it was unprecedented. It should be made to happen again, and not just because it links with the Parsonage's well-established and enlightened stance on contemporary arts, and because all the Brontës wrote poetry but because festivals like this should be essential items on both the Parsonage and the Haworth annual calendar. It should be repeated. Perhaps an annual poetry weekend could grow to become as significant as a Forties weekend.

The organising geniuses were Matthew Withey and Joanna Sedgwick with other members of staff and volunteers from the Parsonage, together with Mark Connors from the Leeds-based Word Club, well-used to rounding up poets of all kinds, and a poet and novelist himself. They spent many happy hours planning everything, drinking plenty of lattes in 'Cobbles and Clay' (on Main Street) to help things along. Some ideas never materialised: the marquee in which performances were going to be situated did not appear because the Health and Safety people from Bradford Council did not like the sheep droppings they discovered on the chosen field, so the poets were sent to either the old school room ('Charlotte's Stage') or to the West Lane Baptist Church ('Emily's Stage') to hold forth.

"Poetry at the Parsonage was a two day celebration of the vibrant poetry scene that stretches across all corners of Yorkshire and we were blessed with contributions from Leeds, Bradford, York, Wakefield, Sheffield, Hull, Otley, Ilkley, Huddersfield, Halifax, Horsforth, Hebden Bridge, Sowerby Bridge, Filey, Marsden....and many other places where poetry thrives in 2016," said Mark Connors on his Facebook page, and audiences were exposed to just about every variety of it. Some was Brontë-related, most of it not, and poets were of every age. My own ten-minute contribution was delivered to an audience which included the magnificent Queensbury Ladies on the front row, and if I was asked to pick out memorable individual performances I would choose Antony Dunn (www.antonydunn.org) at the young end and Patrick Lodge (www.valleypressuk.com/author/47/patrick_lodge) at the senior end. I missed the workshops, but on evidence from a participant, can say that the one led by veteran poet and creative writing coach Char March (www.charmarch.co.uk) was brilliant.

There was a bar on the grass behind the Parsonage which attracted few drinkers on the Saturday, mainly because of the cold, blustery weather, but more on the Sunday, when there was more sunshine - and musicians.

Here are two glowing reviews:

http://www.yorkshiretimes.co.uk/article/Poetry-At-The-Parsonage

http://www.writeoutloud.net/public/blogentry.php?blogentryid=58496

Barry Simmons - Scrambled Eggheads

 IS writes:
The annual gathering at the Old White Lion on the Sunday evening is always something to look forward to in the programme of the Brontë Society June Weekend. Friendships are renewed, new ones are made and excellent food is available. This year members, in teams of four, replete with choices such as scampi, chicken, garlic mushrooms, sticky toffee pudding and in my case a humble cheese sandwich which was delicious, prepared to pit their wits in a quiz compiled by Barry Simmons (pictured). 

Resplendent that evening in a sparkling, red sequined jacket - which would have done Liberace proud - he can be regularly seen on our television screens in the quiz programme 'Eggheads'. He is a quizzer par excellence - he has been a winner of 'Brain of Britain' and he is a researcher at the text question and answer service. So it was probably with some trepidation that the teams - with names such as Chapter, Keeper’s Friends, Heathcliff’s Revenge - prepared to do battle.

Barry, who lives in Leeds, asked his brain teasing questions with humour and patience, and when the winner was declared there was only one mark between the top two teams.

The evening ended on a high note with Audrey Hall (pictured in a recent post), one of the Society’s vice- presidents, telling about some Brontë items she has recently acquired for the museum via her family connection with the Nusseys and also with Oakwell Hall. It was so good to hear about Audrey’s latest project - she has worked so hard over many, many years for the good of the Brontë Society and I thank her for all she has done and continues to do.

The Great Charlotte Brontë Debate

Lucy Hughes-Hallett, Katherine Langrish, Maxine Peake, Tracy Chevalier, Joanne Harris and Claire Harman

Helen MacEwan (Brussels Brontë Group) writes:

A highlight of the weekend was The Great Charlotte Brontë Debate on the Saturday evening (11 June) of the Summer Festival. Which is Brontë's greatest novel, Jane Eyre or Villette? Claire Harman (who had given that morning's lecture) and Joanne Harris argued for Jane Eyre, Lucy Hughes-Hallett and Katherine Langrish for Villette, expertly chaired by Tracy Chevalier.

Each writer's defence of her chosen novel was preceded by readings given by Maxine Peake, in which we heard, for example, about Jane in the Red Room, Jane in the early days at Thornfield longing for a more fulfilling and intellectually stimulating life, and Lucy, at the Pensionnat, similarly yearning for a fuller life to lead her 'upwards and onwards'.

For Claire Harman, Jane Eyre is 'a book that has everything and has fed generations of readers imaginatively, emotionally, intellectually and erotically', while for Joanne Harris it can be read at different times of life and mean different things. Katherine Langrish described Villette as 'a pressure-cooker of a book, boiling with suppressed passion', while Lucy Hughes-Hallett explored the theme of surveillance in the novel, the subject of her talk to the Brussels Brontë Group in 2014. Everyone spies on everyone else in Villette. This was illustrated by passages in which Lucy watches Mme Beck and M. Paul rummaging through her belongings, though the two have very different motives in wanting to know more about her: Hughes-Hallett described M. Paul, a hero she finds more convincing than Rochester, as 'someone with the generosity to look at someone else and see them as they are, and love them.'

This first round of presentation was followed by a lively debate in which further points were discussed, after which it was over to the audience. Jane Eyre came out top in the votes taken both before and after the debate, but the second vote revealed a significant swing in support for Charlotte's last novel. All four speakers were so eloquent, however, it's difficult to say which of them mounted the best defence. And I imagine many of us find it almost impossible to choose between Charlotte's best-seller, a novel first read and loved in youth, and the more complex novel we appreciate when we're a little older. As Katherine Langrish put it, if Jane Eyre is Pride and Prejudice, Villette is Persuasion.

This was a wonderful event, professionally presented, with six high-calibre performers and a great format. Could we please have many more such debates at Haworth in future?

Claire Harman's lecture

The Annual Brontë Society Lecture this year was delivered by Claire Harman in a venue relatively new to the occasion - the Hall Green Baptist Chapel. The annual church service followed it, in the same place. This was because St Michael's and All Angel's is currently still being reordered and reroofed.

Charlotte Brontë - A Life seems to have been read by a large percentage of the appreciative audience, though the queue for signed copies stretched around the church. "Her protagonist is both fervent dreamer and cool realist, imaginative artist and clear-eyed professional," wrote Kathryn Hughes in her Observer review last year, and the clear-eyed Claire Harman showed just why that is an accurate assessment of her work, which moves on significantly from Gaskell (naturally) and also from more recent biographers like Juliet Barker.

In the photo, she is sitting with Audrey Hall, a leading authority on Ellen Nussey, and who recently became one of the Society's Honorary Vice-Presidents.

Charlotte - The Movie!

Lip Service

Charlotte - The Movie is a film commissioned for Charlotte's bicentenary, and it premiered at West Lane Baptist Church on the Friday evening of the June Weekend/Summer Festival. Performed by Lip Service Theatre Company , an outfit very well known to most of the substantial audience because of its live shows (there was a call for hands up), it was made in the Parsonage and nearby with the enthusiastic assistance of the staff. Maggie Fox and Sue Ryding (pictured), who in various guises took all the main parts, from Mrs Gaskell to Robert Redford, have been writing and performing together since 1985, with eighteen original comedies for the stage, a comedy series on Radio 4 and a number of television appearances to their credit. They more than lived up to the description of them by a Guardian reviewer a few years ago - "The Laurel and Hardy of literary deconstruction".

There were excerpts from their long-running stage show Withering Looks, but this was several steps on from all that. The laughter at the introduction (in English followed by Japanese) and the opening scene in the Parsonage Dining Room ("Don't sit on that couch!") continued right through to the final gags about submitting the film for the Sundance Festival. The studied naivety, the in-jokes and the child-like glee went down well, and the quiz papers dished out afterwards (sadly, hardly anyone knew that Queen Victoria's middle name was Alexandrina) provided a good excuse to chat with the audience, to soak in a few comments. Both Maggie and Sue were certainly on edge before the screening, but much more relaxed after they had heard the reactions. The only (slight) irritation appears to have been that people laughed too much, which meant that they sometimes missed the witticism which was next in line. These things can be timed better with the punters live in front of you.

The Story of the Withins Farms

Top Withins - 1920s 

Friday 10 June was the first day of what used to be called either 'AGM Weekend' or 'June Weekend' but which has now been renamed 'Summer Festival'. At 3pm first Steve Woods, then Peter Brears gave their illustrated talk 'The Real Wuthering Heights: The Story of the Withins Farms', which was a bigger and better version of a talk given on the same subject three years ago. It began with a brief reference to the letter from publishers Smith, Elder & Co to Ellen Nussey, who was being asked for clues about locations. They wanted to know what the Brontë Sisters had in mind because they were producing the first illustrated edition of the collected works, and Volume Five (1873) of this was Wuthering Heights along with Agnes Grey. As Ellen Nussey's reply has been lost, we do not know much for sure, but the book included an illustration of Top Withins by E M Wimperis which she seems to have suggested to him, so there is some evidence that it was one of the places in Emily's imagination - along with others.

The talk was the result of years of careful study, and covered Top, Middle and Lower Withins, three farms which made up about a hundred acres, much of it rough pasture and much of it probably never used - too rough perhaps. Most farms in the area were dairy, producing milk, butter and a little cheese. Two hundred years ago this would have been consumed by the many weavers and spinners in the area - and because it was not much of a living, the farmers and their families would have done plenty of carding and spinning themselves. There were some sheep, and about half a dozen cows at each farm.

It would have been an isolated life, with long walks down to Stanbury or Haworth, unpleasant and hazardous in bad weather, especially in heavy snow, and especially for any children on their way to school and back in the later years of the nineteenth century. The ruined Lower Withins was finally demolished in the 1930s ("There were plenty of Brontë enthusiasts taking away souvenirs") and Top Withins was fixed into its present state fairly recently, though it seems to have been still quite substantial in the 1920s.

Poetry at the Parsonage - first weekend of July

Richard Wilcocks writes:

Matthew Withey and Mark Connors

On the Parsonage website (see links on the right of this page) you can read all about the significant and potentially spectacular gathering of most of the current species of Yorkshire poets in just a month's time. You will find a list of the main names there, but two which should be given a special mention right now are those of Matthew Withey, one of the main organisers at the Haworth end, and Mark Connors, seen together here at the launch of Charlotte Great And Small. Matthew is on the Parsonage staff and Mark is not only a poet himself but an energetic organiser of events who runs marathons in his spare time - most recently in Edinburgh. He can always be found at Word Club, which meets monthly at the Chemic Tavern in Leeds, and often at other poetry venues across Yorkshire. To get so many people together as performers for a weekend event is an amazing achievement. 

All that is needed now is a series of audiences, so please plan to come! The festival will take place in the Parsonage garden, the Old School Room and West Lane Baptist Centre (there's a substantial Fringe) with refreshments available. Admission is free (donations of £3 a head appreciated) and everyone is welcome.

The 'To Walk Invisible' Parsonage

Take a look at this Radio Leeds video on Facebook - about the construction of a replica of the Parsonage on Penistone Hill. Plenty of chipboard in there! It is for five days of filming for Sally Wainwright's television drama To Walk Invisible, which will be on screens at Christmas.

https://www.facebook.com/BBCRadioLeeds/videos/10153126772122824/

Brontë 200 at the Gaskell House in Manchester

Pamela Nash writes:
One of the North West's most pre-eminent literary venues will play host to a unique event this September as part of their “Brontë 200” celebrations. Elizabeth Gaskell's House in Manchester celebrates the bicentenary of Charlotte Brontë's birth with two world premiere song settings by composer Robin Walker as well as readings from poets Philip Watts and Edwin Stockdale.   Soprano Lesley-Jane Rogers will be joined by pianist Janet Simpson and violinist Suzanne Casey.

The musical and literary inspiration for the programme is drawn from the themes of unobtainable love, from the writings of both Charlotte and Emily Brontë. Walker's setting of Charlotte's unrequited love letters to Constantin Héger, “Letter to Brussels” for soprano and piano and his dramatic scena setting of Emily's poem “Self-Interrogation” for soprano, violin and piano are complemented by readings of Stockdale's Brontë-inspired poems alongside the poetry of the Brontë sisters themselves.

Saturday, September 17^th, 7pm, Elizabeth Gaskell's House, 84 Plymouth Grove, Manchester M13 9LW.

Watch this space for further updates, but enquiries may be sent to Pamela Nash: nashhpschdnew@aol.com

Poems by Charlotte, Emily and Anne - pages by Julian Yanover

Julian Yanover writes:
I have built what I consider to be a unique page about the Brontës at http://mypoeticside.com/poets/charlotte-bronte-poems, http://mypoeticside.com/poets/emily-bronte-poems and http://mypoeticside.com/poets/anne-bronte-poems where I added several of their poems, their biography, a multimedia gallery and more importantly a timeline and time-map of their life, which can't be found anywhere else online.

I would be grateful to receive your comments  (click below)

Charlotte Brontë's Bicentenary in Italy

A member of the Italian Section writes:

Maddalena De Leo and Caterina Lerro

On Thursday 21 April Italy celebrated Charlotte Brontë’s bicentenary in a number of ways and the Italian Section of the Brontë Society was of course  involved through its representative, Prof. Maddalena De Leo. She was asked to take part to two radio broadcasts, the first on Rai Radio2 (Ovunque6) and the second on Rai Radio3 (Fahrenheit) where she talked of Charlotte, her importance today and the ‘feminism’ throughout her work.

The day in Italy was also celebrated in the Sicilian town of Bronte, where a meeting was held with journalists, teachers and students who spoke of Charlotte and read some of her prose. The Italian representative was invited there as well, and appeared on a Skype conference to greet all Sicilian citizens and to read a message expressly sent from the Brontë Society to the Mayor of the town of Bronte. It was a wonderful occasion to create a promising bridge between England and Italy.

In the afternoon a major conference organized by the Italian Ministero dei Beni Culturali was held in Naples at the National Library with Maddalena De Leo and Caterina Lerro as speakers in front of a large and involved public. Prof. De Leo read her interesting paper about Charlotte’s heroines in Juvenilia and in the novels mainly pointing to the differences existing between the first and the second group of them, Prof. Lerro spoke of the meaning of Jane Eyre as a novel, commenting on three of its most important pages (the incipit – the meeting with Rochester – ‘Reader, I married him’) with the help of her students who played the parts of the characters.

Celebrations at the Brontë Parsonage

Tracy Chevalier

A tour of the current exhibition - Charlotte Great and Small - with a series of commentaries from its curator, Tracy Chevalier, was one of the highlights of yesterday's bicentenary celebrations at the Parsonage. An item in a glass case in the Bonnell Room, where the tour started, is one of the letters which an agonised and infatuated Charlotte sent to Monsieur Heger at the Pensionnat in Brussels, which was first torn up by the recipient, then sewn back together by Madame Heger.

Interestingly, we were told that studies of the folds in the paper show that M.Heger kept it intact for years. One speculation is that Mme. Heger wanted to preserve it as evidence that her husband had not actually 'done anything' with his pupil. Four works by the artist Ligia Booton take off from this letter, and hang on a wall nearby, part of the exhibition.

Charlotte Brontë celebrated in Bronte, Sicily