Zenobia the strong-minded

Sarah Laycock writes:
A newly acquired Brontë treasure will go on display at the Parsonage this half-term for the first time.

The delicate pencil drawing was recently bought by the Brontë Society from a private owner in the USA, following a successful public appeal and grants from The Art Fund and the MLA / V&A Purchase Grant Fund.

The drawing, by Charlotte Brontë, is a portrait of one of the most significant characters in the Brontës’ early writings, Zenobia Marchioness Ellrington. Zenobia is a strong-minded, independent and intellectual woman, a forerunner to Jane Eyre and other later Brontë heroines. It is thought that the portrait of Zenobia was modelled on the Countess of Blessington, who Charlotte would have been aware of through her friendship with the scandalous Lord Byron - a great inspiration to all of the Brontë siblings.

Zenobia is one of three characters all drawn on the same day, in a burst of creativity by the 17 year-old Charlotte. The other two drawings are still in private collections and are only known through reproductions, so we are delighted that visitors to the museum will now be able to see this rare and wonderful drawing for the first time.

The Zenobia drawing will be displayed at the museum through the half-term holiday before it is removed for conservation work to be undertaken. Half-term is also a chance to see the museum’s current special exhibition, Who Were The Brontës, before it closes in early June, and the newly refurbished exhibition space, which features the treasures of the museum’s collection and fun interactive displays for families. There are also puppet making workshops for children on Wednesday 26 May (bookings: 01535 640185). There will be a limited number of special, 2 for 1 vouchers available in the village, including the Tourist Information Centre, allowing one adult or child free admission to the museum when accompanied by another adult.

Contacts & Further Information:
For further information on any new acquisitions please contact Ann Dinsdale - Collections Manager on 01535 640198

Jane Eyre. Bruxelles 1849

John Lindseth writes:

I am compiling a census of two Bruxelles 1849 editions of Jane Eyre in French language. If any one knows of any copy other than those listed below, please let me know.

1. The first is: Jane Eyre. Bruxelles: Alp. Lebegue, imprimeur-editor. 1849. Translated by “O.N.” (Old-Nick; i.e. P. E. Durand-Forgues.) 2 v in 1. This is an abridgement of pp143;104.

It is discussed by Emile Langlois in Brontë Society Transactions Part 81, No.1 of Volume 16, 1971.

It is shown in one copy on COPAC, that at Cambridge and in three copies on OCLC, at Cambridge, Princeton and Leiden University.

2. The second is: Jane Eyre. Bruxelles: Meline, Cans et Compagnie. 1849. No
translator listed. 2 v. Pp [iv] + 269; [iv] + 284.

Not discussed by Langlois or listed in any Brontë bibliography.

This edition may also be an abridgement, it is difficult to tell. It has 27 chapters and the Jane Eyre, London, first, second, third and fourth editions all have 38.

No copy in COPAC or OCLC. I have a copy which so far is the only one located.

Neither book shows on American Book Prices Current (ABPC online) for recorded auctions since 1978, or on Artfact or Jahrbuch der Auktionspreise.

The Bodleian has not posted their pre-1920 books on COPAC but a check of their catalogue shows they have no Jane Eyre editions, Bruxelles, 1849.

The British Library has neither edition. Bibliotheque royale de Belgique and the Belgian Union Catalogue have neither. Bibliotheque nationale de France and the French Union Catalogue locate neither edition.

Koninklijke Bibliotheek, the national library of the Netherlands confirms they have neither edition; their search of the Dutch Union Catalog confirms that only Leiden University holds the Alp. Lebegue abridged edition and the Meline edition is not found.

My speculation is that other copies will turn up in personal Brontë or Victorian woman writer collections or library shelves of people who have inherited books and don’t know the significance of what they have.

If you know of other copies of either edition, please contact me at: jalindseth@aol.com

New Gaskell letter

News release from Sarah Laycock:

New addition to museum collection:
Unpublished letter by Charlotte Brontë's friend and biographer Elizabeth Gaskell.

An original letter by Elizabeth Gaskell, author of Mary Barton (1848) and The Life of Charlotte Brontë (1857) has recently been purchased by the Brontë Society.

Mrs Gaskell first met Charlotte through mutual friends in 1850 and remained in correspondence with her up until Charlotte’s death in 1855. After Charlotte died, she was approached by Patrick Brontë and asked to write an account of his daughter’s life authorised by the people that knew her best. The ‘account’ turned into one of the most famous biographies ever written about an author’s life and proved to be a great success - giving Charlotte more popularity and fame than ever before.

The content of the letter, in which Gaskell responds to an autograph collector’s request for Charlotte’s signature, gives us some insight into just how popular and iconic Charlotte Brontë had become since her death and how sought after her signature became following the publication of The Life of Charlotte Brontë. The letter has never been published before nor has it ever been displayed for the public to see.

Visitors can see the letter at the museum as part of a new Charlotte Brontë exhibition which runs until the end of the year. The exhibition includes some of the more personal and intimate items belonging to Charlotte as well as a selection of her artwork and manuscripts.

Easter at the Parsonage

A news release from Director Andrew McCarthy:

Following a major refurbishment to its main exhibition space in February, the Parsonage has had a brisk start to the year with visitors numbers up on 2008. The new exhibition, Genius – The Brontë Story, has allowed the museum to display more of its amazing collection of treasures than ever before, some things for the very first time. It also features fun interactive displays for children and families.

This Easter the museum also has a packed programme of activities to keep visitors entertained. Throughout the holiday there’ll be a special Brontë egg hunt for children in the museum. There’ll also be storytelling and art and craft activities for children and families together. There’ll be a special appearance from Branwell Brontë who’ll give his version of the Brontë story through a hilarious, performance poetry presentation; and scenes from Charlotte Brontë’s famous novel Jane Eyre will be performed in the Parsonage garden. In addition to all of this, the museum has all new displays in the historic rooms of the Parsonage and an exhibition of costumes from the forthcoming TV production of Wuthering Heights.

There’s lots of new things to see at the Parsonage this year, not least of all our fabulous new exhibition which is the most significant development here in nearly thirty years. This Easter is a great opportunity for people to get out and see some of the rarest treasures of the museum’s collection and also enjoy a full programme of activities that will appeal to the whole family

Easter Events at the Brontë Parsonage Museum:

Throughout the holiday there’ll be a special Brontë egg hunt for children in the museum

Friday 10 April - Storytelling for children and families - 1.30pm to 5.00pm

Saturday 11 April - Art and craft activities for children -10.00am to 4.30pm

Sunday 12 April - Branwell’s About! - Branwell tells the Brontë story; performances in the Parsonage garden - 2.30 & 3.30pm

Monday 13 April - Special drama performances - scenes from Jane Eyre performed throughout the day in the Parsonage garden

All events are free on payment of normal admission charge to the museum

For further details contact the museum on 01535 642323/ bronte@bronte.org.uk/ www.bronte.info

Richard Wilcocks adds:

Andrew has been performing in role as Branwell for several years now. If you haven't  seen him in Branwell's About yet, now's your chance. It's educational in the best sense of the word, involves members of the audience (I remember one occasion when he delighted a Danish contingent on the lawn) and it's......funny.

Below, Andrew McCarthy at the opening of the new exhibition:

Branwell with Aspergers Syndrome?

News release from Arts Officer Jenna Holmes:

GRAPHOLOGIST EXAMINES HANDWRITING OF THE BRONTËS TO REVEAL NEW INSIGHT INTO THEIR PERSONALITIES

Leading graphologist Diane Simpson will be resident at the Parsonage on Saturday 14 March, working with visitors to analyse the handwriting of the Brontës. Diane has been working with the Parsonage to analyse the handwriting of Charlotte, Branwell, Emily and Anne Brontë and to produce new insights into their personalities.

The museum commissioned her to look at the Brontës’ writing as part of the Alter Ego exhibition of paintings by artist Victor Buta, currently on show at the museum, which is based on Brontë handwriting and signatures.

This is the first time that the Brontës’ handwriting has been examined by a graphologist and Diane has analysed examples of original handwriting held in the museum collections. By analysing the writing of the four Brontës, using samples written at various different stages in their lives, Diane has produced individual profiles for Charlotte, Branwell, Emily and Anne. Her research has revealed new information about the famous siblings. The graphology event on 14 March is free.

A summary of Diane Simpson’s profiles of the Brontës:
Charlotte
Nowadays, Charlotte would have been described as a workaholic. Diane believes Charlotte’s handwriting marks her as a fiercely motivated and driven person, without a particular need to be liked, with the result that speaking her mind - even if it meant going against prevailing opinion - would not have been a problem. However, the deaths of Branwell and Emily in 1848 and the illness of Anne in the same year marked an enormous change in her self confidence and ability to run her life …both of which markedly diminished.
Branwell
The only son of the family, Branwell never reached the high expectations of his family and turned to drink and drugs. Despite being highly creative, Branwell never found his niche and suffered from a lack of focus. His obsessive behaviour and mood swings worsened as he got older and Diane has also hinted that some of his personality traits could be likened to those of Asperger’s Syndrome.


More information on Asperger's Syndrome here.Emily
Less introvert than Branwell and not as outgoing as Charlotte, Emily was in many respects firmly in the middle. It has always been believed that Emily rapidly succumbed to tuberculosis before her death in 1848, however Diane believes that she was actually masking her symptoms for a lot longer than was previously thought. She could have been gradually getting weaker for as long as three years before anyone became aware of it.
Anne
The youngest and least well-known of the Brontë sisters, Diane believes that Anne’s writing shows she was in fact intellectually superior to her siblings. Initially self-confident, and despite a desire to make progress, as she grew older she became increasingly self-critical and reluctant to expose her abilities, and indeed herself, to the scrutiny of others. With a formidable intellect and strong sense of fair play, perhaps had she been born 60 years later and been physically stronger she may well have been a prime mover of the Suffragette Movement.

Diane Simpson says:

“Despite reading Jane Eyre while at school I am ashamed to say I knew little or nothing about the Brontës apart from that they were a family of writers who lived in a then remote part of Yorkshire in the early 1800’s. I embarked on this project without reading any more about them and, therefore, with a very open mind. What I have found so far has been utterly fascinating and I now intend to read everything written by and about them.

What I discovered were four intellectual giants, three with staying power, and one without, because of which his possible achievements seemed to have dissipated as repeatedly one interest was taken up only to be supplanted by another.
The most talented of the four? I haven’t yet decided but confess that at the moment Anne is in the lead. When I have studied them longer perhaps I will change my mind”.

Diane Simpson has become particularly well known for her work with West Yorkshire Police on the Yorkshire Ripper case. A founder member of the British Institute of Graphologists, she has worked with numerous museums and galleries and has analysed the handwriting of historical figures such as Elizabeth I and Anne Boleyn.

Further information - Jenna.holmes@bronte.org.uk 

Below - Diane Simpson

Parsonage Catalogue Online

A news release from Sarah Laycock, Collections and Library Officer:

The Parsonage's collection is now accessible online. The catalogue includes images and information on over 7000 items. The catalogue, made possible by a Heritage Lottery Fund grant and a generous donation from a member of the Brontë Society, is a landmark achievement in the history of the museum, allowing global access to its remarkable collection.

Every January, the museum is closed for cleaning and conservation work, with object displays changed and different Brontë treasures introduced to ensure that items displayed through the previous year are protected and preserved and that there are new Brontë treasures for visitors to admire and appreciate. The museum is only able to display around 10% of its collection and it would be impossible for the whole of that collection to be exhibited at once. The new online catalogue will give visitors a chance to browse through the collection at their leisure and will give an indication as to its size and diversity.

The museum has recently undergone a major refurbishment allowing us to display more of our collections and improving the way objects are presented; making the museum much more interesting for visitors. The new on-line catalogue is also about making more of the treasures of our collections available for people to see, but in this case they can do so from anywhere in the world. So anyone with a passion for the Brontës’ shoes, china, jewellery or furniture, or wanting to read their letters, or just curious about them, can search the catalogue to learn more about them and see what’s kept in the museum’s stores as well as on public display

In conjunction with the museum catalogue, there is also an extensive research library catalogue listing thousands of entries including critical works, biographies, articles, film and drama archive material, journals and much much more. Simple and more advanced search options allow users to be as general or as precise as they need to be and for those who are planning a visit to the museum’s library, the online catalogue will enable them to plan what material they might like to see prior to a visit.

To search the catalogue simply click HERE and follow the link on the homepage.

Alter Ego

A news release from Jenna Holmes:


An exhibition of abstract paintings by Haworth based artist Victor Buta has opened at the Parsonage. The exhibition, Alter Ego, is based on the Brontës' signatures and pseudonyms and has been inspired by numerous items of Brontë handwriting and correspondence in the museum collections, including the Brontës’ pseudonyms of Currer, Ellis and Acton Bell, their famous ‘little books’ and the origins and development of the Brontë surname.

The exhibition takes place as part of the Museum’s contemporary arts programme and Victor Buta has also used the signatures of Cornelia Parker and Paula Rego within his work – two contemporary artists who have previously responded to the Brontës as part of the programme at the museum. Alter Ego is on show until 31 March and all of the paintings on display are also for sale.

As part of the exhibition, there are two special events taking place at the museum. On Saturday 28 February, Victor Buta will be holding a practical workshop for artists of all abilities to create their own paintings inspired by his exhibition and the Brontës’ handwriting. The day will include a trip to the Parsonage library to see examples of original Brontë correspondence. The workshop costs £25.00 (£15.00 concessions) and includes entry to the museum, materials and refreshments.

Spaces are limited but a few places remain available. For further information contact jenna.holmes@bronte.org.uk / 01535 640188. The museum has also commissioned leading graphologist Diane Simpson to analyse some of the Brontës’ handwriting as part of the project. Diane will be resident at the museum on Saturday 14 March, working with visitors to explore her findings. This event will be free on admission to the museum.

Victor Buta is a Haworth based artist who has developed a number of projects and exhibitions based on signatures, including a series of paintings using doctors’ signatures, now in the permanent collection of the NHS Hospital Teaching Trust. He has been exhibiting in solo and group shows for twenty-five years, teaches art to a variety of groups and has been involved in numerous large-scale community art projects.

Refreshed

Richard Wilcocks writes:

Everything has been refreshed, thanks to the hard work of the Parsonage staff during the closed period. In general, more is on display, and costumes from the ITV version of Wuthering Heights (expect it on UK screens this year, ‘possibly in the early summer’) have been placed in the spruced-up rooms, so visitors will be able to see what Tom Hardy and Charlotte Riley wore for the filming when they walk around with the television images in their recent memories. The costumes all look freshly-stitched and ..….pristine. I suppose it would be too much to expect a line of dried moorland mud on Cathy’s hem.

The Genius exhibition is very impressive, a great improvement on what was there before, and the newly-uncovered window makes a significant difference. There are brief quotes on the walls, displays at appropriate eye-levels, intelligent selection and labelling, increased colour and a sense of airiness. There is also a section for younger children, who are invited to lift little blue lids to see illustrations of what it was like in the mid-nineteenth century. In an ideal world in which large sums of money can be brought by obedient genies, in some kind of separate visitors’ centre, there would be an abundance of stimulatory material for primary school visitors – toy soldiers and more....

Something like ten years ago, there was much talk on Brontë Society Council about a new visitors’ centre – should it be an earth-sheltered, ecologically-sound structure, or a kind of converted barn, and so on, and at one stage plans were drawn and a booklet produced. I remember contributing a piece. It was all fantasy, though, a series of optimistic speculations based on the supposition that a huge grant would be given.

Bonnie Greer (pictured below) was the guest at the official opening on Friday evening. She said all the right things, wonderfully, after an introduction from Director Andrew McCarthy. She was genuinely overwhelmed by simply standing inside the Parsonage, the place where so much of global literary significance had happened. She mentioned the influence of Patrick, the loving and unusually liberal paterfamilias who had allowed his daughters to read and write so much, and the continuing power of the Sisters: “I read Wuthering Heights at a young age, and if Emily Brontë can have such an effect on a little black girl in Chicago, she can have a big effect on anyone.”

Half Term Activities at the Parsonage

Media release from Jenna Holmes:

An exhibition of costumes from the upcoming ITV adaptation of Wuthering Heights, a newly refurbished exhibition focusing on the Brontës’ lives with interactive displays for families, and arts and crafts drop-in workshops are just some of the activities for visitors to the Parsonage  during half term week.

Bafta-winning costume designer Amy Roberts has worked with the museum to display several of the costumes that she designed for ITV’s new adaptation of Wuthering Heights. The drama, which will be broadcast later in 2009, stars Tom Hardy, Sarah Lancashire and Charlotte Riley and was filmed in Yorkshire last year. Visitors will be able to see items worn by Heathcliff, Cathy and Isabella, amongst others, on display in the period rooms of the museum and find out more about how the costumes were created.

The newly renovated major exhibition room in the Parsonage now showcases more of the museum’s collection of precious manuscripts and artefacts than ever before, and its interactive design and bold new graphics also offer fun ways for children to explore the Brontë story.

On Tuesday 17, Wednesday 18, and Thursday 19 February Education Officer Susan Newby will be running drop-in arts and crafts activities for families throughout the day, free on admission to the museum. Visitors to Haworth should look out for special entry coupons that can be found in the cafes and shops in Haworth during half term week, offering special entry prices to the museum from Saturday 14 to Sunday 22 February.

Also currently on display at the museum is a new contemporary arts exhibition by Haworth-based artist Victor Buta. His series of abstract paintings, Alter Ego, is based on the Brontës’ handwriting and signatures and the exhibition also offers new ways to discover the Brontës’ letters and handwriting. Victor Buta will be running an artists' workshop on Saturday 28 February for beginner or experienced artists to create their own Alter Ego paintings. For further information contact Arts Officer Jenna Holmes on 01535 640188.

Transformation at the Parsonage

News Release from Parsonage Director Andrew McCarthy:

The Brontë Parsonage Museum will re-open on 1 February 2009 following a major refurbishment. The museum’s permanent exhibition, focusing on the Brontës’ lives and works, had been in place for over twenty-five years and although it remained popular with visitors, was in need of renewal.

The exhibition room is located in an extension to the original Brontë house, which was added in the 1870s, nearly twenty years after the Brontës’ residency ended with the death of Patrick Brontë in 1861. The new exhibition, developed with Ilkley based designers, Redman, has taken around eighteen months to plan and is set to transform the space.

Panelling obscuring many of the room's historic features, including original windows which give views out across the Parsonage garden and graveyard down to Haworth Church, have been uncovered; new state of the art casing has been introduced which will allow for more of the museum’s collection of precious manuscripts and artefacts to be displayed, some for the first time ever; there are bold new graphics and updated interpretation to guide visitors through the Brontës' lives and writing; interactive displays for families have also been introduced to offer fun ways for children to explore the Brontë story; there will also be a completely new decoration scheme and a final flourish to the new contemporary design will be the Brontës’ own words adorning the walls of the room, with some of the most famous quotes from their great novels.

This is the most significant change to the museum in nearly thirty years and will transform our main exhibition space. The exhibition will still tell the Brontë story, but we have focused more on the Brontës’ writing and also introduced imaginative activities that will appeal to young children and families. The museum’s collection has grown considerably in recent years and this refurbishment will allow us to greatly improve the way we display the collection and also show more of it. In terms of the design, it will bring together the historic and the contemporary, restoring many of the room’s original features whilst also presenting the exhibition in an exciting contemporary way.

The new exhibition, entitled, GENIUS: THE BRONTË STORY will open to the public on Sunday 1 February.

The exhibition will be formally opened by playwright and critic Bonnie Greer at a special media event on Friday 13 February.

For further details contact the museum on 01535 642323/ bronte@bronte.org.uk/ www.bronte.info


____________________________________________________________________________

Notes to Editors:

Brontë Parsonage Museum

Please see the Brontë website for further details at http://www.bronte.info or contact Brontë Parsonage Museum, Church Street, Haworth, Keighley BD22 8DR T: 01535 642323, F: 01535 647131

Opening Times

The Museum is open every day of the year except 24-27 December 2009 and 4 to 31 January 2010 inclusive:

10.00 am - 5.30 pm (April to September) 11.00 am - 5.00 pm (October to March)

For admission prices and further information see www.bronte.info

A unique resource

A news release from Andrew McCarthy – Director, Brontë Parsonage Museum:

The Brontë Parsonage Museum has just been awarded full accreditation status from the Museums, Libraries and Archives Council. The accreditation scheme award demonstrates that the museum has achieved defined national standards relating to governance, visitor services and collections management.

The museum houses the world’s largest collection of Brontë material including letters, manuscripts, furniture, clothing, personal artefacts and artworks. There are over 7000 items in the collection which is a unique resource for academics from around the world. The treasures of the collection are displayed within the Parsonage which also draws general visitors and lovers of the Brontës’ books to Haworth in tens of thousands every year.

We are delighted to have been granted full accreditation. The Brontës are of course intimately associated with Haworth and Yorkshire, but the Parsonage museum has a collection which is nationally and internationally important and we should all celebrate that fact. The museum’s collection has continued to grow in recent years and through our education and arts programmes we’ve offered all kinds of exciting new ways for visitors to experience the museum and find out about the Brontës.

The museum is offering free admission to children every weekend in December and in January will close for a major refurbishment which will see the installation of a new exhibition focusing on the Brontës’ lives. The exhibition will include many new acquisitions to the collection and also fun interactives for families.

Christmas at the Parsonage

A news release from Jenna Holmes:

For those who feel the modern Christmas is just too commercial, the Brontë Parsonage Museum in Haworth is offering a taste of Christmas past over the next few weeks. The Parsonage rooms have been decorated in traditional holly and ivy and with children under 16 able to enter the museum completely free of charge every Saturday and Sunday in December, the museum is hoping to encourage families to come and experience the special festive feel of the Parsonage at this special time of year.

On Saturday 13 December, there’ll be some added festive spice with Branwell Brontë’s Christmas Cracker, which involves Branwell visiting the museum, with mulled wine and mince pies on offer. Branwell will be performing his own hilarious version of the Brontë story at 11.30am, 12.30pm, 1.30pm and 2.30pm. There’ll also be a special children’s Christmas treasure hunt.

The truth is that Christmas for the Brontës was very different because it was before the Victorians got their hands on it. It was a religious festival without a lot of the paraphernalia which has come along since. 

We think the Brontë Christmas would have been much more civilized and if people are fed up with the modern commercial holiday, they should rediscover a simpler Christmas; come and get away from it all here at the museum. They can always get their Christmas gifts in the museum shop anyway, which has an excellent range of festive presents.

Andrew McCarthy – Director, Brontë Parsonage Museum

As well as festive decorations, Branwell, and Christmas gifts, visitors to the museum in December will be able to take part in an exciting new musical project. The Fragmented Orchestra takes place at 24 public sites across the UK, including the Brontë Parsonage Museum, and launches on Friday 12th December. Visitors will be invited to become both player and audience of a vast interactive musical composition extending across the UK.

December is also the last chance to see the museum’s special exhibition for 2008, Emily Brontë: No Coward Soul, which has attracted visitors from around the world. The exhibition is the first time ever that such an extensive range of manuscripts, letters, art works and personal artefacts relating to Emily Brontë has been displayed. The exhibition, which earlier in the year included high profile loans from the British Library and the National Portrait Gallery, will only run to the end of the year.

Further information from;
Andrew McCarthy, Director, Brontë Parsonage Museum
01535 640194/ andrew.mccarthy@bronte.org.uk

Footnote:

It's time again to make mention of Dickens's A Christmas Carol........

Charles Dickens first published his world-famous ghost story in 1843, under the title A Christmas Carol in Prose, Being a Ghost Story of Christmas.

A phenomenal six thousand copies were sold in the week following its publication. Dickens has probably had more influence on the way that we celebrate Christmas today than any single individual in human history except one.

Can he be blamed for the many millions of tons of seasonal decorations shipped in from China, though? That is, if they are still being shipped in during the current recession........perhaps we should be thinking of Tiny Tim as well as the Original Parsonage Christmas. End of sermon.

Below, the man who invented Christmas-as-we-know-it-today

‘Life is Compost’

IS reports on Diane Setterfield's recent visit to Haworth:

'Life is Compost' - The Thirteenth Tale

Perhaps it was quite courageous that this former French teacher, turned superstar author, from Harrogate, informed her audience, in the Baptist chapel in Haworth - within sight of the literary shrine - that it had not been the Brontës who had influenced her to write The Thirteenth Tale. It was from a very different kind of writer - the writer of psychological thrillers, Patricia Highsmith, a writer who herself very much preferred her own personal life to remain private - that she gained inspiration. After reading avidly the stories about 'the incredible Mr Ripley’- whom Mrs Setterfield described as an amazing character- living a double life- with those around him thinking he was an honourable, successful, conventional business man.

However Mr Ripley himself is the only one who knows the truth because nobody else is allowed in on the real man. So it was with a feeling of disappointment she realised that, with the death of Mr Ripley, there would be no more stories and the world would never know the truth- which left her with lots of questions in her mind. There is little consolation in death but perhaps one consolation is the consolation of being remembered but here again, if one is leading a double life, there is difficulty. Mr Ripley was human- was he tempted at the end to tell the truth? Surely after committing the perfect murders- so perfect nobody knew the perpetrator- you may be forgiven for thinking that he might need someone to know- need to proclaim to the world ‘ It was me!’

So Mrs Setterfield thought that she might be the one to put the record straight- might be the one to give Mr Ripley the somewhat dubious credit he deserved. She had no wish to pick up the mantle of Highsmith but was left with a ‘pressure cooker’ of desire. Walking home across the Stray, in Harrogate, a voice came to her, a voice with a bullying, hectoring tone and, as if in the grip of some unknown force, she raced home and began writing- thus The Thirteenth Tale was born. She went on to describe her book’s equivalent of Mr Ripley- the famously reclusive Vida Winter who decides, for the first time, after a lifetime of lies and tall stories, to tell the truth about her life. She summons biographer Margaret Lea - herself somewhat reclusive- a person who likes to remain on the margins of life. Both women desire not to be known but come together to tell Miss Winter’s story.

Mrs Setterfield described , to a captivated audience, that she thought of life as compost and, whilst she emphasised that the Winter character was in no way autobiographical, the idea for her characters came from her dreams, her conversations, books she had read and people she had met and she had drawn from this ‘compost’ to write the book. However, if left long enough, all the individual things that go in to make a compost heap will disappear and will become one rich mulch- the imagination. Some stuff does not decompose straight away and so it is, in our own minds, with dreams. Like eggshells that are instantly recognisable for quite a while, which keep surfacing through all the other stuff, dreams can stay with a person or can keep turning up unexpectedly. Mrs Setterfield’s ‘eggshell’ was the dream of a library on fire with two people fighting in the flames. Certain things in a compost heap never disappear - an avocado stone stays there permanently and the author’s ‘avocado stone’ was a story related to her by one of her French students, who, being told, at the age of eighteen, that he was born a twin and that his brother had died when he was three days old, said ‘So that’s it’- he had always known there was ‘something’ but had not known what that ‘something’ was.

The whole compost heap, including the eggshells and the stones, all went into the writing of this book- which has comparisons to the Brontës and references to Jane Eyre - and which has landed one of the biggest first book deals ever and was actually published a year after first being sent to agents. I am sure everyone who listened so intently to Mrs Setterfield speaking at Haworth, if they have not done so already, will soon be reading what sounds to be a very intriguing story and then, will eagerly await the publication of, perhaps, ‘The Fourteenth Tale!’

Mourning Ring

Mourning Ring by Ian M Emberson was published on October 1st 2008, and is a small collection of poems relating to the Brontës – their lives, writings and the landscapes associated with them. It is an expanded version of a previous publication Three Brontë Poems, and is lavishly illustrated by the author, with a picture on each page. The composer Robin Terry is working on a song-cycle based on the poems, and it is hoped that this will have its first performance in Haworth next year.

The basic details are as follows:

Mourning Ring:Brontë related poems
by Ian M Emberson,
Angria Press, 2008, 20 pp. £3.00
ISBN 978 0 9521693 6 9

It is available from the Gift Shop, Brontë Parsonage Museum, Church Street, Haworth, Keighley, West Yorkshire. UK. BD22 8DR – telephone (01535) 642323; fax (01535) 647131; e-mail sales@bronte.org.uk

or direct from the publishers:

Angria Press, 1 Highcroft Road, Todmorden. UK. OL14 5LZ; telephone (01706) 812716; e-mail ianemberson@aol.com.
Website www.ianemberson.co.uk

BBC update on clampers

Click here to watch yesterday's report on BBC Look North. See local MP Ann Cryer voicing her concerns and Betty Boothroyd voicing her anger. See also Ted Evans, owner of the Changegate Goldmine, telling us that it's just something he has to do.......

Maggie O’Farrell in Haworth

Jenna Holmes announces:

Novelist Maggie O’Farrell will be speaking about and reading from her latest novel The Vanishing Act of Esme Lennox and discussing the influence of the Brontës on her writing, at the Old Schoolroom, Haworth on Wednesday 12 November at 3.30pm.

The Vanishing Act of Esme Lennox tells the story of a woman edited out of her family history, exploring themes of sanity and madness, and parallels have been drawn with Jane Eyre.

Maggie O’Farrell was born in Northern Ireland in 1972, and grew up in Wales and Scotland. Her debut novel, After You’d Gone, was published to international acclaim, and won a Betty Trask Award, while her third, The Distance Between Us, won the 2005 Somerset Maugham Award.

Her visit to Haworth is part of the Brontë Parsonage Museum’s contemporary arts programme.

Admission is £5.00. For further details and bookings contact the Brontë Parsonage Museum, 01535 640188/ jenna.holmes@bronte.org.uk


Below, Maggie O'Farrell:

Maddalena De Leo reports:

A MUSICAL MEETING AT CASA VERDI IN THE NAME OF THE BRONTËS

A very interesting meeting of the Italian section of the Brontë Society was held in the centre of Milan on Saturday 11th October at 4 p.m. in Casa Verdi, the rest home for retired musicians built at the beginning of the XXth century by Giuseppe Verdi himself. The author of Traviata and Rigoletto left all his musical rights and wealth to this institution and also lies buried there in a crypt together with his second wife Giuseppina Strepponi.

In so a suggestive place it was a must to choose ‘The Brontës and Music’ as a theme for the meeting and after gathering in the magnificent red saloon on the first floor, the Italian BS members: Mrs. Franca Gollini, who introduced the Brontë Society, Mrs. Raffaella Pazzaia, who organized the meeting, Maddalena De Leo, Giuseppina Verga,Paolo Mencarelli, Daria Innocenti and all other people present could enjoy a short talk by Professor Maddalena De Leo right about the Brontës and their relation with music soon followed by a wonderful concerto by the ‘Gondal Trio’ (Paolo Mencarelli – cello, Maddalena Main – violin, Emanuele Ardica - piano) who played some compositions by Beethoven and Mendelssohn Bartholdy, namely Trio op. 70 ‘Gli Spettri’ and Trio op. 66.

The atmosphere conveyed by that brilliant music was magic and the three musicians played it in a very clever and involving way. As usual the meeting ended enthusiastically with a little party held in an elegant room nearby where all at Casa Verdi could taste the exquisite chocolate cakes home-made by some of our Italian BS members.


Below, Giuseppe Verdi and members of the Italian Section:

Brontës and Music in Milan

Maddalena De Leo reports:

A MUSICAL MEETING AT CASA VERDI IN THE NAME OF THE BRONTËS

A very interesting meeting of the Italian section of the Brontë Society was held in the centre of Milan on Saturday 11th October at 4 p.m. in Casa Verdi, the rest home for retired musicians built at the beginning of the XXth century by Giuseppe Verdi himself. The author of Traviata and Rigoletto left all his musical rights and wealth to this institution and also lies buried there in a crypt together with his second wife Giuseppina Strepponi.

In so a suggestive place it was a must to choose ‘The Brontës and Music’ as a theme for the meeting and after gathering in the magnificent red saloon on the first floor, the Italian BS members: Mrs. Franca Gollini, who introduced the Brontë Society, Mrs. Raffaella Pazzaia, who organized the meeting, Maddalena De Leo, Giuseppina Verga,Paolo Mencarelli, Daria Innocenti and all other people present could enjoy a short talk by Professor Maddalena De Leo right about the Brontës and their relation with music soon followed by a wonderful concerto by the ‘Gondal Trio’ (Paolo Mencarelli – cello, Maddalena Main – violin, Emanuele Ardica - piano) who played some compositions by Beethoven and Mendelssohn Bartholdy, namely Trio op. 70 ‘Gli Spettri’ and Trio op. 66.

The atmosphere conveyed by that brilliant music was magic and the three musicians played it in a very clever and involving way. As usual the meeting ended enthusiastically with a little party held in an elegant room nearby where all at Casa Verdi could taste the exquisite chocolate cakes home-made by some of our Italian BS members.

Below, Giuseppe Verdi and members of the Italian Section:

Another clamping outrage

Richard Wilcocks writes:

Haworth was in the news again yesterday, for the wrong reasons: the admirable Baroness Betty Boothroyd was on BBC Look North, and she was justifiably outraged, because the clampers had been at it again, with her as the victim. If only Carstoppers came around as an occasional or seasonal affliction, like the flu, but they are there all the time!

By 'there', we mean the Changegate Car Park, of course. Visitors to Haworth do not know that there are alternatives run by Bradford City Council, so they enter the clampers' domain and suffer. There are so many stories and anecdotes on this matter, that a collection of them would make a fair sized book. I remember, in particular, the couple from Sweden who were caught out for some trivial mistake and forced to hand over a tidy sum to enable them to drive away. They swore they would never come back.

This is the story according to today's Bradford Telegraph and Argus:

The Telegraph & Argus revealed yesterday the ticket had time remaining on it but had fallen face down so the women had to pay a £75 fine. Signs state all tickets must be displayed face up.

Carstoppers has been criticised for its strict policy before.

Speaking to the T&A yesterday, Baroness Boothroyd, 78, said: “I think it was outrageous. I thought we would be told, ‘Girls, do not do it again, put it the right way up and make sure it is.’ There was no kindliness at all.

“I have been driving for more than 50 years and never had such an experience. People are up in arms about what is happening. Us Yorkshire Tykes do not take things lying down.

“It is not fair if shops in Haworth suffer because of such actions. I do not know what can be done as it is not really a political matter.

“The Council should take some action and put a dirty big notice up saying people should not park there, and explain why.

“It is difficult parking around there. The Council should find a little space and introduce a shuttle service, like park and ride on a smaller scale.”

Mrs Megahy said last night an appeal against the fine to car park owner Ted Evans was in the post: “I have appealed but I do not expect to receive anything.”

Mr Evans said on Monday: “It’s pay and display and they didn’t display.”

It's a great pity that some people actually avoid Haworth because of this nonsense! Anyway, my very best wishes and sympathies go to Betty Boothroyd.

It permeates our consciousness

On Saturday 18 October, exactly a year after organising its first talk, the Brussels Brontë Group once again brought the Brontës to a Brussels audience. The talk hosted by us last year was on the theme of Charlotte's anguished letters to M. Heger. A journalist in a Brussels "What's On" which announced the event, getting a little carried away himself, invited people to "close their eyes and let themselves be swept along by this torrent of passion". This year we again invited our audience to be swept along by a torrent of passion, but with their eyes open not closed, gazing at a screen on which they could watch Heathcliffs and Cathies from various film versions (the 1939 Olivier one, the 1970 one with Timothy Dalton and the 1991 version with Ralph Fiennes) chasing each other over the moors.

The film clips were shown to illustrate a talk by Patsy Stoneman called "What everyone knows about Wuthering Heights: the novel and its film adaptations". She pointed out that many people are not quite sure whether they've read the novel or not, as it permeates our consciousness. Her comparison of scenes in the films with the corresponding passages in the novel revealed how often we, the readers, supply in our imaginations scenes (such as those between the lovers on the moors) not actually described in the novel.

Patsy Stoneman's talk, which was received enthusiastically, was the first in our new venue in a university in central Brussels, Facultés Universitaires Saint-Louis. We have for some time been looking for a suitable venue and were delighted when some of the English lecturers at this university who support our events offered us the use of a room which is ideal for our purposes. The staff bent over backwards to make us welcome and help with all the practical aspects of the organisation, and staff and students from the English language department, who had prepared for the talk beforehand, attended the event. In all over 80 people were present.

After the talk we wound up with some music before partaking of the refreshments offered by the university. The music was supplied by a Dutch member of our group, Veronica Metz, who is the lead singer of Anois (click here), a Celtic band which is recording an album of Emily Brontë's poems that she has set to music. With recorded accompaniment, she sang four songs to haunting melodies a little reminiscent of Enya's. Another member, Marina Saegerman, had prepared a display of her calligraphy versions of Emily's poems.

We are looking forward to our next event to be held in the same venue, a Brontë weekend in April when Stevie Davies will be talking to us, also about Emily Brontë. Having hitherto concentrated more on Charlotte because of the influence of Brussels on her we are devoting this year to Emily, who of course also spent time in this city although there is less evidence of it in her work!

Helen MacEwan
Brussels Brontë Group