Welcome back, Kate Bush

Kate Bush, a terrific singer and performer, brought a significant number of new members to the Brontë Society after the release of her 1978 single Wuthering Heights, and turned many others towards actually reading the novel. She is still popular with many aficionados, even though not an enormous amount seems to have happened for an incredible thirty-five years.

Now she has come back to live performance - in Hammersmith and then in Manchester. It is one of the big musical events this year. We'd love to have your review, so send it to the blog at heveliusx1@yahoo.co.uk

Marina Saegerman writes:

I went to the opening night on Tuesday 26 August. The atmosphere of anticipation beforehand, waiting outside with the crowd to get in the concert hall, was really magical. You could feel the excitement everywhere!

I loved the first part of the concert, which was a series of songs followed by a theatrical performance of The Ninth Wave: Kate gave a spectacular show, she had a very strong voice and the whole story was fascinating to watch.

The second part after the break was less interesting, still spectacular in a way but also very confusing. Less strong than the Ninth Wave performance. The anticipation and expectations in the concert hall grew with the encore, and although she performed two beautiful songs, you could feel that the audience was waiting for Wuthering Heights, which did not come. The audience was applauding for more, but Kate did not return to oblige. That was a little bit of a disappointment, but I was glad to have been there and seen it all. 

It was certainly a magical evening. Something to treasure always.

Benjamin Lovegrove writes:
I was there last night (Saturday 6 September). Like many people, I wanted to hear Wuthering Heights but Kate does Cloudbusting for the finale which is a worthy alternative. For me the highlight was Kate's son Bertie singing the male vocal in An Architect's Dream. Before this we heard classic songs like Running Up That Hill and Hounds of Love.

The song cycle Ninth Wave was dark and intense, contrasting well with the summery themes of the songs from Aerial. This included some of Kate's more experimental work featuring birdsong.

It was a very emotional experience as well as a rare chance to see her play live and I recommend anyone who is able to should go and see her.