Bookmark this independent blog

Sunday 7 June 2015

June Weekend - Simon Armitage


Poetry today has many forms and styles, not always connected with the generation of the practitioner, though Simon Armitage is often described in words and sentiments similar to those employed by Melvyn Bragg in his New Statesman review of the recently-published Paper Aeroplane: Selected Poems 1989 - 2014 - "...he has established himself as the poet of his generation". Although most of us on Saturday evening in the West Lane Baptist Centre, Haworth's best and only intimate theatre space, could have been said to be of another generation, possibly that of Sir Geoffrey Hill at the other end of some kind of poetry spectrum, Armitage charmed, entertained and moved us with enormous success. He was accessible, utterly intelligible and above all funny. He must be the poet of our generation as well.

He introduced his new memoir Walking Away, revisited poems written a couple of decades ago, spoke about the differences between walking the Pennine Way, where mists can be a menace and where you need to carry a good map, and the coastal walk from Minehead to the tip of Cornwall, where you do not get lost unless you turn sharply to the right, about the town of Marsden, where he was brought up, his father, and about inspiration. We got it. We laughed. We loved him.

June Weekend - Emily Brontë and Beethoven

Ken Forrest       Photo by Richard Wilcocks
Current chair of the Brontë Society Alexandra Lesley sang a Lied (in English) and read selections from the work of Emily Brontë, and extracts from the music of Beethoven were played with great panache on the Parsonage piano by Isabelle Oehmichen on Friday 5 June.

This was followed by a fascinating talk on the potential influence of Beethoven on Emily's literary creativity by John Hennessy. Is there anything written on this topic in German? Gibt es etwas über dieses Thema in Deutsch geschrieben?

Two sonatas in particular - the Pathétique and the Appassionata - can provide parallels in terms of form and content to passages in Wuthering Heights. 


The rare cabinet piano in the Parsonage, which Emily would have played, was tuned before the recital by the man who restored it - the illustrious Ken Forrest.

June Weekend - Brontës and War

Emma Butcher                Photo by Richard Wilcocks
Emma Butcher, based at the University of Hull, is the co-curator of the current exhibition in the Parsonage, which is entitled The Brontës, War and Waterloo, and her lecture on Friday 5 June was complementary to it. At first sight, the topic might seem thin, but it was made very clear that there is a lot in there! As it says in the leaflet for the Museum's current  Contemporary Arts Programme: Ferocious battles and violent, military men dominate the landscape of Charlotte and Branwell's juvenilia...  Emma Butcher looks more closely at the military material the Brontës read...

The aftermath of the Napoleonic wars seems to have been much more drawn-out and traumatic than a glance at standard histories might convey: the young Brontës were developing when many returned soldiers were still at a loose end, on reduced pay - "it was no easy ride for them back in Yorkshire", we were told. French soldiers too - thousands of prisoners of war were turned out of their prisons, to wander about the country in a state of confusion, picking up small jobs where they could. And did Charlotte and Emily ever get to see that famous battlefield at Waterloo, not far from Brussels - possible, probable... highly likely? Certainly, Charlotte was given a fragment of Napoleon's coffin - it's in the exhibition. And the children and their Wellington-fixated father had plenty of access to military news and reminiscences in newspapers and magazines.


Terror by Branwell 1830







It was not just the  1829 gift of toy soldiers to Branwell: the children were surrounded by real, close-to-home conflicts and memories of recent atrocities - the Luddites, the deadly attack on civilians by sabre-equipped yeomanry at Peterloo. Their juvenile fantasies were well-fed.

"The violent, masculine landscapes of Wuthering Heights and Jane Eyre can be traced back to the Brontës' early engagement with militarism and warfare," we were told. A strong case was made.






Saturday 6 June 2015

June Weekend 2015

Warmth and sunshine for the annual weekend in Haworth - a chance for old friends from all over the world to meet, for connections to be re-established and for decisions to be made.  This was the Parsonage yesterday - everything in the garden beginning to bud and bloom.

Tuesday 2 June 2015

Virginia Rushton



Virginia Rushton, who died recently, was a well-known and very hard-working member of the Brontë Society who will be greatly missed. A singer, she was also well-known in the world of music, and was largely responsible for an extraordinary operatic project for schools in 2006 entitled The Wind on the Moor. It was featured on this blog and can be accessed here:

This obituary appeared a few days ago:  http://www.voiceforarran.com/#w01

More to follow.

Tuesday 19 May 2015

To Walk Invisible: The Brontë Sisters

Sally Wainwright
Keep your eyes open for the BBC's new Brontë-based television drama by BAFTA Award-winning Sally Wainwright, well-known for Happy Valley and Last Tango in Halifax.  A few details can be found here.

The two-hour drama is currently entitled To Walk Invisible: The Brontë Sisters. Charlotte Moore, controller of BBC One commented: “The Bronte sisters have always been enigmatic, but Sally Wainwright’s brilliantly authentic new BBC One drama brings the women behind some of our greatest literary masterpieces to life. It’s an extraordinary tale of family tragedy and their passion and determination, against the odds, to have their genius recognized in a male nineteenth century world.”

It will be produced by BBC Drama Wales, but filmed in Yorkshire. Of course.

Saturday 9 May 2015

Glasstown, Angria and War

Coming to listen to Emma Butcher from the University of Hull (pictured) on the first day of the June weekend?


She's on at 3pm Friday 5 June. You might like to read her fascinating, well-illustrated blog article (from last August) as a preview of her talk - just click here. It's entitled Making sense of war in Charlotte and Branwell Brontë's Juvenilia.

'What your favorite Brontë sister says about you'

Here's an interesting blog piece written by Deborah Lutz, sent by American member Paul Danigellis (US Region 3), which seems to assume that Brontë writings are just for women. Deborah Lutz is the author of The Brontë Cabinet: Three Lives in Nine Objects . Contact her if you want to say which sister you identify with most. The blog can be accessed by clicking here.

Friday 8 May 2015

Bad Boy Branwell


Click here if you want to stay at  Ponden Hall - a 'real-life Wuthering Heights'.

The Dissolution of Percy


Click here for the company's blog - see the rest of the production photos

Wednesday 25 March 2015

Haworth History Tour

Richard Wilcocks writes:
The text on the back cover of this useful little book of historic photographs seems at first sight to contradict that of the introduction inside: “Behind the tourist village of today lies a long history of people making a living from the uncompromising moorland of this area” and “It is a Pennine village that made its living from farming, stone quarrying and textile manufacture.” That is, until you remember that the village goes back a thousand years. Tourists, especially the Brontë enthusiasts amongst them, tend to bear the moorland in mind rather than the industry, perhaps for obvious reasons.

The book could easily be slipped into a coat pocket or handbag, and used by anyone who does not feel like toiling up to Top Withins or sipping tea in cafés but who does want to know something about local history which is not necessarily linked to the Parsonage. Sensible shoes are needed, and possibly a strong interest in the industrial revolution, because many of the places depicted in it are from the nineteenth century. Some of them no longer exist.

West End Quarry, for example, one of four on Penistone Hill, is now a series of grassy humps, and Well Street – so called from three large water troughs that used to be there – was “another casualty of clearance mania”, possibly not an unfortunate casualty, because the water was so foul that even the cattle refused to drink it.

Many buildings have hardly changed at all over the years, for example The Black Bull, and it is good to find little snippets of information connected with it like “Max Beerbohm took lunch here with Thomas Hardy’s widow in 1931.” It was also good to find so many interesting people mentioned, for example Manasseh Hollindrake, who ran a draper’s shop at number 111 Main Street from 1860 to 1897. One old photo which is likely to be familiar to Brontë Society members is that of the old church, most of which (except for the ancient tower) was built in 1755. The current one dates from 1881.

There is a useful map in the first few pages as well.

Haworth History Tour by Steven Wood and Ian Palmer
Amberley Publishing
ISBN 978 1 4456 4627 5 (print)

ISBN 978 1 4456 4628 2 (ebook)