June AGM weekend, Friday

The weather was unbelievably warm and windless. All the events should be held out in the open - possibly in the meadow behind the Parsonage - or so it was often said, humorously. All of the delegates were full to the brim with good humour. Here's a slideshow of just a few of them:

Branwell on Friday

The forgotten Brontë sibling will get his time in the spotlight on Friday with a performance of award-winning play The Brontë Boy in the Baptist Centre.

Former Bradford Telegraph & Argus journalist Michael Yates wrote the play about Branwell Brontë three years ago, and a performance will form part of the coming AGM weekend. The play starts at 7.30pm at the Baptist Centre. Tickets for the performance plus a cheese, wine and paté supper are available from bronte.org. uk.


Read Chris Went's review here.

Dedication of plaque at the foot of Anne Brontë's grave

Sally McDonald, Chairman of Brontë Society Council, writes: 

The new plaque

When planning the Spring Walk this year it was agreed to have a break from the usual ramble and instead design the day to include a service of dedication of the Society's new interpretative plaque which was placed late on in 2012 at the foot of Anne Brontë’s grave. We are delighted to say that the day was a great success and are looking forward to a full report of the occasion in the Scarborough Post later this week.

Members travelled from all over the country (Durham, Manchester, York, Keighley, Staffordshire, Suffolk and London to name but a few) to join the day. It was great to see old friends and to welcome some first timers!

Tour of Scarborough led by Trevor Pearson

As the service started the rain stopped and though it was chilly the skies were blue. We were very grateful to the vicar of St. Mary's Martyn Dunning who officiated (some members will remember him from our last visit to Scarborough). As Chair of Council I had the joyful task of welcoming everyone and explaining how the plaque was arrived at: to ensure that those who make pilgrimage there in the future see as generations have before the headstone and its inscription while leaving the grave undisturbed. A selection of readings followed including two of Anne's poems and her last letter. Flowers were set down and a moment’s silence concluded the service.

By the time we gathered outside of the Grand Hotel for a walk around Anne Brontë's Scarborough the sun was with us. Led by Trevor Pearson of English Heritage we were given an outstanding tour of the town. I had never visited the site of Christchurch before and what a poignant moment it was to see the site of Anne’s funeral now re-developed. Trevor was able to point out the buildings that Anne would have known, the town she arrived at, loved and spent her final days in.

My sincere thanks to Chris Went who arranged the day. Thanks also to trustees Susan Aykroyd, Anne Simpson and Doreen Harris and Membership Officer Peter Morrison who supported this special day.

Meeting in Agropoli

On 21April, 2013, the anniversary of the birth of Charlotte Brontё, the literary association Gli Occhi di Argo and the publisher ALBUSedizioni organized a meeting in Agropoli (SA) with Italian Brontë scholar and translator Prof. Maddalena De Leo who was interviewed and revealed details little investigated in Charlotte’s work, defending her and the other members of the Brontë family against any inappropriate modern hypothesis about their life and work.

The readings of some excerpts and critical reviews of Charlotte Brontë’s work were entrusted to the young actress Maria Cristina Orrico and the poet Annamaria Perrotta. In particular, an extensive critical review was read, written especially for the occasion by the writer and poet Eufemia Griffo from Milan. The journalist Francesco Sicilia introduced the event.
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Oxenhope turbine refused permission

A planning application for a small wind turbine at Bodkin Lane, Oxenhope has been refused by Bradford MDC.  Three reasons are given, the first being that "The proposed development would introduce an incongruous and widely visible vertical element into this sensitive upland landscape within the Worth Valley, whose historical and literary associations are also central to its wider economic value in tourism terms.  The proposed turbine would be seen from a number of vantage points and would result in significant harm to the character of the landscape that would outweigh its limited contribution towards overall renewable energy targets......"

This is just what campaigners connected to the Brontë Society have been saying in objections over the last year.  Ironically, this is one turbine which was not mentioned by the Society. Meanwhile, the really gigantic ones have got the go-ahead.


UPDATE 28 MARCH 2013 : PLANNING  PERMISSION FOR THREE WIND TURBINES OVERLOOKING PENISTONE HILL IS REFUSED

In January of this year a planning application to erect three micro-scale wind turbines in Oxenhope parish was submitted to Bradford Metropolitan District Council.  Because of the location of the proposed turbines which, close to Penistone Hill, would have been clearly visible numerous vantage points, the Brontë Society submitted an objection to Bradford Metropolitan District Council in accordance with our Heritage & Conservation Policy.

I am pleased to report that planning permission for the turbines has been refused on the grounds that the development would introduce ‘incongruous’ structures into ‘this sensitive rural landscape whose historical and literary associations are also central to its wider economic value in tourist terms.  The proposed turbines would be seen from vantage points and public rights of way over a wide area and would result in significant harm to the character of the landscape that would outweigh the limited contribution towards overall renewable energy targets.’  A further reason for refusal was that the turbines would be ‘an encroachment of inappropriate  development into the Green Belt that would have a harmful effect on the openness of the Green Belt’ and, again, it was felt that the negative impact outweighed the benefits as a source of renewable energy.

This is the third such planning application which has been refused by Bradford MDC on these grounds and it is very gratifying to know that the value of this unique heritage landscape has been recognised in the planning process.

Christine Went

Heritage and Conservation Officer

Historic Redecoration

Yesterday, two hundred (or was it more?) people crowded into the Old Schoolroom opposite the Parsonage to eat from a sumptuous buffet, drink wine and meet friends from the Brontë Society and interested members of the public. After brief speeches - from Sally McDonald, Chair of Brontë Society Council, Deputy Lord Lieutenant Terence Suthers and Professor Ann Sumner, the new Executive Director, the crowd split into groups to cross the narrow road and enter the Museum to see for themselves.

In the photo - Ann Sumner and Sally McDonald.

All of the refurbishments are historically accurate, the transformed Parsonage representing the culmination of two and a half years of painstaking analysis, using up-to-date forensic techniques. In summer, 2010, the University of Lincoln and historic design consultant Allyson McDermott were approached by the Parsonage to begin an analysis of the available evidence, with a view to coming up with a new, more historically accurate scheme of redecoration.

As well as historical and scientific analysis, a wide range of contemporary sources, including watercolours and letters by the Brontës, was also referenced. This rigorous £60,000 programme has informed the creation of bespoke wallpapers, new curtains and painstakingly woven rugs.

It was all there as we looked around, without some of the curtains, which will be coming soon to add the finishing touches. To give a few examples, Mr Brontë's Study has been distempered in plain white, because no evidence could be found that it was ever papered, and the Dining Room now follows Charlotte's own decorative scheme from the early 1850s. The curtains are still in the process of being specially woven, in crimson, to match Elizabeth Gaskell's description. According to forensic analysis, the room was papered both before and after Charlotte's 'gentrification', and the chosen paper is a contemporary design, in scarlet to match the curtains. Several years ago, a scrap of wallpaper was found in Branwell's Studio which can now be dated to the Brontë period. Allyson McDermott matched it with an almost identical sample - also contemporaneous with the Brontës' time - which was found inside a housemaid's cupboard at Kensington Palace. The wallpaper has been reproduced.

So visitors in the coming season can look forward to an even better experience.

Re-Visioning the Brontës Conference

Richard Wilcocks reports:

The Re-Visioning the Brontës Conference took place on 29 January in The Brotherton Room, which holds about fifty people comfortably. Attached to Special Collections in Leeds University’s Brotherton Library, it has plenty of atmosphere, with oak columns and panels, proximity to rare Brontë manuscripts and a presiding bust of a big-whiskered Lord Brotherton. It has been used on occasion, I was told, for the telling of ghost stories, which seemed to be an appropriate fact to bear in mind during the conference, in which one of the unofficial keywords was ‘afterlife’.

Conference Organiser Nick Cass from the School of Fine Art, History of Art and Cultural Studies, spoke to us first, and it was soon clear that the acoustics of the place are not perfect : people sitting on the periphery found it hard to hear, especially if the speaker did not project in their direction. Listening to David Wilson’s tenor saxophone was no problem, though. He played beautifully while we looked at Simon Warner’s evocative landscape photographs on a large pull-down screen – Top Withins shrouded in mist, a watery sun over Stanbury -  a mood-setting show which was followed by Jane Sellars, once at the Parsonage, now Curator of Art at the Mercer Art Gallery in Harrogate. She delivered a useful historical overview of the fluctuating fortunes of the Museum, drawing attention to the effects of films on attendance and pointing out that it was “extraordinary the amount of material which has come to light in the last twenty years or so – a substantial number of items have emerged from the shadows”.

Dr Carl Plasa from Cardiff University, in ‘Southern Flight: Brontëan Migrations in Kate Chopin’s At Fault’ spoke about Chopin’s “neglected novel” of the late nineteenth century and the transatlantic afterlife of Jane Eyre, bringing in many references to contemporary assumptions about “white creole degeneracy” and the way in which Chopin had challenged these assumptions in her novel, which is set in Louisiana and packed full of characters who speak French, Spanish and Creole in addition to English. His enlightening hand-out (‘Prefigurements and Afterlives: Bertha Mason’s Literary Histories’)  drew parallels between Charlotte Brontë’s description of Bertha in Jane Eyre, Juanna Trista, a ‘pensionnaire’ in The Professor and a mentally ‘incompetent’ wife (alcoholic) in At Fault. To my surprise, at least, he made just one fleeting reference to Jean Rhys’s Wide Sargasso Sea.

Amber Pouliot from Leeds University, (‘Righting the Life of the Mind: The Significance of Psychological Discourse in the Brontës’ Interwar Afterlives’) spoke about an emphasis by critics on Charlotte for most of the nineteenth century which shifted to Emily to some extent in the early twentieth century, when she might have been seen as a model of a ‘new woman’, attitudes to mental illness to be found in the frameworks of nineteenth century belief, and comments by twentieth century commentators who were influenced by psychoanalytical theories which, ironically, originated in Gaskell’s view of Charlotte and the Brontës.

Aislinn Hunter from Edinburgh University  began her lecture, which was illustrated by slides, with references to the ancient manuscripts of Timbuktu which some people thought might all have been burned by Islamist extremists (apparently some of them were successfully hidden) because she had much to say, in ‘The Brontës, Materiality and Resonance: Three Ways of Looking’ about original artefacts and documents and “the resonances which they give off”. These depend on context (for example in a museum), on foreknowledge and on tradition to a large extent, but also on the way our brains work: specialized parts of this organ deal with memory and with our perceptions of beauty and truth. She did not quote from Keats, but she did give us a brief overview of the way neurons behaved. Her illustrations on the screen included works by Victoria Brookland and Cornelia Parker – “…an encounter with the artist and with the artist who had the encounter with the Brontës”.

Sarah Prescott, who is Literary Archivist in Special Collections, introduced us to the Brontë manuscripts which are kept there, giving us a potted history of how they were acquired: we saw images of journalist, critic and collector Clement Shorter, the one who found so much that had been wrapped up in newspaper at the bottom of the Reverend Nicholls’s wardrobe and, amongst others, the outrageous Thomas James Wise, who became infamous for literary forgeries and for dealing out manuscripts like a deck of cards

‘”…like a new picture introduced to the gallery of memory”: Re-Visioning Jane Eyre through Paula Rego’ was the title for Dr Sarah Wooton from Durham University. Handed-out papers contained several reproductions of Rego’s lithographs, and Dr Wooton’s commentaries on them formed the basis of her lecture: “It is not always clear how Rego’s pictures relate to Jane Eyre… who doesn’t always appear to be the same person in different depictions… how can Rego picture a heroine who is reluctant to picture herself?… she tries to depict the ‘plain Jane’ we have come to know through reading..”

‘Charlotte’s Dress’ was a presentation by Lisa Sheppy, who graduated with an MA in Multi-Disciplinary Printmaking at UWE, Bristol in 2009 with a distinction and based her research on the development of enamel printmaking and warm glass processes. She told us how a visit to the Parsonage had caused a great change of direction in her interests. She had been encouraged while she was there to make drawings in her sketch book – of items like Charlotte’s gloves and bonnet – and had been inspired to make an imaginary wedding dress – “a sort of ghost dress. It was constructed by myself and my mother, who had worked as a professional dressmaker…  the crinoline hoops are showing through…it’s like a cage…”

Dr Richard Brown from the University of Leeds’s English Department was in conversation with Professor Blake Morrison from Goldsmiths, University of London on Morrison’s play We Are Three Sisters, which was shown at the Viaduct Theatre in Halifax, performed by Northern Broadsides, in September 2011 (see this blog’s review here) before touring. Intelligently and wittily, Morrison managed to use Chekhov’s Three Sisters as a template, which involved some squeezing and shoving (for example, having Mrs Robinson actually staying at the Parsonage and bringing on a William Weightman character years after his death) but which resulted in a very watchable play. Morrison explained the problems involved in pursuing a personal project which dated back many years.

Dr Jenny Bavidge, lecturer at Cambridge University, showed clips with music. “The name ‘Wuthering’ invites an auditory experience,” she said, in ‘Listening Out: the Soundtracks and Film Scores of Wuthering Heights.’ Is music too blunt an instrument? Does it elicit too much of a Pavlovian response? We watched extracts from the William Wyler version from 1939 – music all the way through, for everything. ‘Cathy’s Theme’ makes the film “Cathy-centric”. We saw Merle Oberon’s Cathy standing in front of a window for her declaration of shared identity with Heathcliff – with not just the music but a clap of thunder. Then there was the Peter Kosminsky version – an edgier sound, Irish connections, and Bunuel’s Abismos de Pasion (1954) with its use of Wagner’s Tristan und Isolde… but what we did not see an extract of was Andrea Arnold’s version, where there is practically no music (although the Young Cathy does sing Barbara Allen) but plenty of wind.

Maria Seijo-Richart from the University of A Coruña showed us clips and stills as well, for ‘Wuthering Heights in Japan: the film Arashi ga Oka (1988, directed by Yoshishige Yoshida)’. She explained how Japanese film-makers relate Western classics (for example Macbeth) to Japanese theatre traditions and storytelling techniques. It was fascinating to hear how the Noh Theatre influenced the director – the orphan Onimaru is looked after by a group of priests who worship a Mountain of Fire and who try to appease gods of anger. He is in love with Kinu, beautiful daughter of a local family… and she later dies in childbirth.

Towards the end of the day, a roundtable discussion chaired by Adam Strickson, Teaching Fellow in Creative Writing at Leeds University, did not seem to last very long, making many of those present think that the conference should have had more time allocated to it. Perhaps the next one – let’s hope for a next one – will be for two days.

The new Director of the Brontë Parsonage Museum, Ann Sumner, brought the proceedings to a close with some well-chosen remarks and an overview of the main areas covered.

The conference was organized through the Centre for Critical Studies in Museums, Galleries & Heritage and the Stanley & Audrey Burton Gallery, and was funded by CCI Exchange – the University of Leeds Higher Education Innovation Fund.

A thousand new homes planned for Haworth

Nearly a thousand new homes could soon be built in Haworth: Bradford Council has fourteen sites in mind as suitable for development - the first stage in the production of its Local Development Framework. For more, read this article in today's Bradford Telegraph and Argus.

Patti Smith to perform at Parsonage

Press release from the Parsonage: 

                                

Singer- songwriter, poet and artist Patti Smith is to give a special benefit performance in Haworth in support of the Brontë Parsonage Museum, on Friday 19 April 2013.

Patti Smith is an admirer of the Brontë sisters and visited the Parsonage last year during a visit to the UK. Following her visit, Patti decided to return to Yorkshire to play a series of intimate concerts in Brontë country. Her performance in Haworth will raise profile and funds for the Brontë Parsonage Museum, and will take place as part of the Museum’s contemporary arts programme.

“We’re delighted that Patti Smith is supporting the Museum and will host this special performance in Haworth. It is yet another example of the ways in which the Brontës’ extraordinary legacy influences all aspects of contemporary culture. This will be a remarkable evening in a tiny venue very close to the Parsonage – we are expecting a huge response and I’m sure tickets will be snapped up very quickly indeed”. 

Jenna Holmes, Arts Officer at the Brontë Parsonage Museum

‘An evening of Words and Music with Patti Smith and Tony Shanahan’ will take place at the Old Schoolroom in Haworth (originally built by Patrick Brontë in 1832) at 8pm on Friday 19 April. Tickets are £25 and can be booked from the Brontë Parsonage Museum: jenna.holmes@bronte.org.uk / 01535 640188.

NB All tickets have been sold. Ring if you want to be put on the waiting list

Parsonage redecorated

Parsonage Press Release from Jenna Holmes:

January 2013 will see the first major redecoration scheme in 25 years for Haworth Parsonage, once home to the world’s most famous literary family, the Brontës, and now one of the UK’s top tourist attractions.

Using historical and scientific analysis produced by academics at the University of Lincoln, and referencing contemporary sources including watercolours and letters by the Brontës, the Parsonage will undergo a major interior visual transformation led by historic interior design consultant Allyson McDermott of the McDermott Studio, Forest of Dean. The house will be restored to looking much as it did during the main period of the Brontë family’s occupation in the 1830s and 40s but will also include features introduced by Charlotte as part of her facelift for the house during the early 1850s when she began to spend some of the income she had earned from her novels Jane Eyre, Shirley and Villette in making the Parsonage more comfortable.

“This is one of the most exciting projects to take place at the Parsonage in many years and is the culmination of a two year research project. There have been attempts in the past to present the Parsonage as the Brontës’ home, but no serious archaeological work has ever been carried out before. The new rigorous historical research and scientific analysis resulting from this project has informed bespoke wallpapers, new curtains and painstakingly woven rugs. Objects from the Brontë Society collections will be displayed for the first time in this new context and familiar works will be reinterpreted. The rooms of the house are going to be transformed and may well surprise our visitors”. Quote from Ann Dinsdale, Collections Manager, Brontë Parsonage Museum.

Quote from new Executive Director, Professor Ann Sumner: “I am delighted to be taking up my new role at this exciting time and see the re-decoration taking shape. We now know so much more about how the Parsonage was presented when the Brontë family lived here and are pleased to be working with Allyson McDermott, benefitting from her wealth of experience restoring historic interiors. The newly refurbished rooms will enormously enhance the visitor experience at the Parsonage Museum and have inspired a wealth of learning events and an exhibition in 2013”.

Quote from Sally McDonald, Chairman, The Brontë Society Council: “When the Trustees of the Brontë Society agreed this landmark re-decoration it set in motion a singular opportunity to learn more about the Brontës and their home. We are delighted that when the Parsonage reopens its door on February 9^th we will be sharing more of that wonderful story with our members and our visitors”.

The newly refurbished Parsonage will reopen on Saturday 9^th February featuring some exciting new displays.

The project has cost in the region of £60,000.

_____________________________________________________________________________

Contacts & Further Information:   

               

Ann Dinsdale (Collections Manager) 01535 640198 – a.dinsdale@bronte.org.uk

An Italian toast

On 29 December 2012 Professor Maddalena De Leo from Italy with BS members Caterina Lerro and Elisa Fierro met in Naples to mark and enjoy a very special day: the two hundredth anniversary of Maria and Patrick Brontë’s wedding. 

While celebrations of the event were taking place at midday at Haworth in the Brontë Parsonage Museum, at about the same hour the three Italian scholars raised a toast to the Brontë sisters’ parents. During the meeting Professor De Leo also read aloud some moving extracts from the novel about Maria’s life Removing the shroud of mystery originally written by her in Italian and recently published in English to mark the important event.

Tragic, Gifted, Precocious: Brontë Season in Leeds

Anne, Emily, Charlotte and Branwell in Two Art Exhibitions, a Conference and a Talk this January

'Visions of Angria' at the Stanley and Audrey Burton Gallery is celebrating the world of the Brontës in the new year. However, the Gallery is not the only one to remember the four siblings from Haworth this season. Fans of the Brontës and Yorkshire's rich literary heritage have a lot to look forward to in January: two art exhibitions, a talk and a one-day conference are bringing the creativity of the Brontës into the limelight by presenting rare archival material and modern artistic responses in literature and popular culture.

'Visions of Angria' at The Stanley and Audrey Burton Gallery
7 January - 23 February 2013
The special display will present rarely seen manuscripts of Branwell Brontë from the University Library's Special Collections, alongside original illustrations. Providing Branwell's rich world of landscapes, characters and events with unique visualisations, Leeds College of Art students will bring these fantastic tales to life. This is a special opportunity to see the interplay between original manuscripts and their contemporary 're-visions'. 

The Gallery is open from Monday - Saturday, 10am-5pm and admission is free.

'Wildness Between the Lines', at Leeds College of Art
14 December 2012 - 2 February 2013 
The exhibition brings together the work of a wide range of artists who have been influenced by the Brontës. Wuthering Heights, Jane Eyre, The Tenant of Wildfell Hall; these are just some of the works produced by the Brontës which have an enduring and universal appeal. The inspirational legacy of the Brontë family can be seen in a wide variety of contemporary creativity.
This exhibition is a unique opportunity to see, in one place, the work of a number of emerging and established artists, all of whom cite the Brontës as a source of continuing inspiration for their own creative practice.
The Gallery is open from Monday - Saturday, 10am - 4pm

'Re-Visioning the Brontës'
One day cross-disciplinary conference at the University of Leeds
The conference addresses ways in which the legacy of the Brontës is exerting an influence in a range of creative fields, and across a variety of media.

The conference programme is available at 
http://revisioningthebrontes.blogspot.co.uk

For further information, contact
bronte.revision@gmail.com

The conference is free and open to the public. It is now fully booked, please reserve a standby ticket if you wish to be notified in the event of cancellations:  http://bronterevision.eventbrite.co.uk

'A Secret History of the Brontës': Talk by Sarah Prescott, Literacy Archivist, University of Leeds 

Friday 18 January, 12.30 - 1.30 at the Central Library, Leeds 
Letters, stories and manuscripts written by the Bronte family, and now held in the University of Leeds Library Special Collections give a unique insight into their lives and work. Find out what these items tell us about the secret history of the family, and how they inform our understanding of their lives today - from Charlotte's honeymoon, to Branwell's complete disintegration.

Find us at:

The Stanley and Audrey Burton Gallery
Parkinson Building (pictured above)
Woodhouse Lane
University of Leeds
Leeds
LS2 9JT 

Phone: 0113 34 32 778

http://library.leeds.ac.uk/art-gallery

Red House Celebration

Kirklees Brontë Group invites everyone to come and join them at Red House Museum - in the restored cart sheds - to celebrate Christmas and the two hundredth  anniversary of Patrick Brontë's  marriage. The date is Saturday 15 December from 1.15 - 3.15pm. Descendants of his sister Sarah have been invited, and mulled wine will be available. You will be able to view the seasonally decorated house, and there will be a Santa for the children.

Books and toys will be on sale to help raise funds to publish a book about former Red House residents and their visitors. These include the last family to reside at Red House before it became a museum - Lord Shaws.  Some Brontë family recipes will be included.  Money raised from the sale of the book will go to Holly Bank school (formerly Roe Head) in Mirfield, and Friends of Red House Museum in Gomersal. (From Imelda Marsden)
 
Red House Opening Hours:
From 1 October to 28 February new winter opening hours apply:
Tuesday to Thursday 11am to 4pm;
Saturday to Sunday 12noon to 4pm.
Monday and Friday: Museum closed.

Admission to Red House:
Adult: £2.50
Child: £1.00
Family: £6.00 (two adults and up to four children)
Kirklees Passport holders: 50% discount.

Annual ticket for Red House and Oakwell Hall
Adult: £6.00
Child: £2.50
Family: £14.50 (two adults and up to four children)
Kirklees Passport holders: 50% discount

Visiting groups should pre-book.  red.house@kirklees.gov.uk

The Planning Committee meeting

Chris Went, Heritage & Conservation Officer, writes: 

On Tuesday, 13 November Sally McDonald (Brontë Society Chair) and I met in Halifax to attend the committee meeting which would decide on the planning application to repower Ovenden Moor windfarm.

This repowering, unlike the proposal to erect a wind test mast on Thornton Moor, has not generated any concerted opposition.  There is no local group dedicated to stopping this development and although the group which opposes the Thornton Moor proposals was supportive, with individuals lodging objections with Calderdale Council, Ovenden is not their battleground.  Opposition from Calderdale residents was patchy and it was surprising that the local newspaper, the Halifax Courier, carried so few articles about the development.  At the committee meeting, therefore, Sally and I, as representatives of the Brontë Society, seemed to represent the largest single aspect of opposition – the impact on visual amenity – and as a result, Sally agreed to speak for all the objectors present, including the respresentative of Luddenden Civic Society.

After the Planning Officer had presented the application, Sally was allowed five minutes to speak for the objectors.  Although so little time was allowed, Sally put reiterated the objections of the Brontë Society, and stressed the High Court ruling of Mrs Justice Lang which said that energy requirements should not take priority over consideration for the landscape.  No questions were asked, and she was followed by the councillor for Illingworth and Mixenden who supported the application.  Emma Clark, the agent for Yorkshire Wind Power then spoke for the application.  Questions put to her by the panel of councillors allowed her more than the allotted five minutes to put her views.

Although the panel members were supposed to debate, this item on the agenda was nothing more than four of the panel expressing support for the application on the grounds – contrary to Mrs Justice Lang’s Hemsby ruling - that Calderdale’s need to meet its green targets was more important than what was considered to be a slight negative impact on the landscape.  Two councillors did not speak but at the vote, supported the application so that agreement was unanimous.

Naturally we are very disappointed with the outcome, but understand that the application may be called in by the government for review by the Planning Inspectorate.  If there is an opportunity to make a representation to the Secretary of State we shall do so.

Windfarm decision - our disappointment

News Release

Bronte Society expresses disappointment at Ovenden Moor windfarm decision

The Brontë Society wishes to express its disappointment with the decision by Calderdale Council to grant planning permission to Yorkshire Wind Power for the repowering of the windfarm at Ovenden Moor.

We feel that this decision demonstrates a lack of consideration for a unique heritage landscape which has internationally renowned cultural associations.  It shows, also, an insensitive disregard for the negative impact upon the environment and upon the local economy of Haworth and the area known as Brontë Country.

The Society has received a huge level of interest and support from all over the world.  We would like to take this opportunity to express our gratitude and to give an assurance of our continued commitment to Haworth’s cultural and historical significance.

Ends

 13 November 2012

For further information please contact the Bronte Parsonage Museum on 01535 642323 / bronte@bronte.org.uk

Discovering the Brontës in Brussels

Helen MacEwan's book has finally been printed and the BS bookshop is now selling it. It’s advertised on the shop website under Miscellaneous books - click here to go to it.

Helen MacEwan writes:

A project I’ve been working on for some time, a book about the genesis and development of the Brussels Brontë Group (which started up in 2006) is finally completed; it has now been printed and copies are available. You can buy it in the English bookstores Waterstones and Sterling Books in Brussels, or from the Brontë Parsonage Museum shop. Click on the link above.

In the course of writing it I interviewed and spoke to many people in the group, and the book is about their discovery of the Brontës in Brussels as well as mine. So it’s something of a group project.

The book is called Down the Belliard Steps: Discovering the Brontës in Brussels

Charlotte and Emily Brontë’s stay in Brussels in 1842-43 to improve their French was to prove a momentous one for Charlotte in particular. She fell in love with her French teacher, Constantin Heger, and her experiences in the Belgian capital inspired two of her four novels, Villette and The Professor. Yet the Brontës’ Brussels episode remains the least-known of their lives.

When Helen MacEwan moved to Brussels in 2004 she discovered that not many people there seemed to know much about the Brontës’ time in the city. She herself had a lot to find out about their life in the Pensionnat Heger at the bottom of the Belliard steps. In the process of doing so she met other people who were similarly fascinated by the story, and with them formed the Brussels branch of the Brontë Society.

For all these people, following in Charlotte and Emily's tracks in modern-day Brussels, and setting up a literary group, was a voyage of discovery. In the course of telling their story, Helen finds some odd parallels between the Brussels of their day and ours, and reflects on why the Brontës' time there is so fascinating.

Photo of Helen MacEwan by Cassandre Sturbois.

ISBN No 978-0-9573772-0-2      Paperback        146 pp

Andrea Arnold's Wuthering Heights

Jenna Holmes writes:

Andrea Arnold’s 2011 film adaptation of Wuthering Heights will be screened in Haworth on Friday 23 November, 7.30pm, at the West Lane Baptist Centre. The gritty film is a minimalist take on Emily Brontë’s novel which strips away the traditional conventions of a period drama. Featuring a cast of unknown actors, and depicting a mixed race Heathcliff for the first time on screen, the film’s cinematography by Robbie Ryan foregrounds the wild, brooding Yorkshire landscape and the soundtrack is taken purely from nature. With a limited cinema release last year, this is another chance to see the film on the big screen if you missed it the first time around! 

The screening is a collaboration between the Parsonage and Haworth Cinema. The film has been programmed to coincide with the landscape exhibition Ways to the Stone House, currently on display at the Parsonage. Haworth Cinema successfully turns Haworth’s Baptist church into a cinema twice every month to show a programme of new releases.

The novel has been adapted for film and television many times, including the 1939 Hollywood version starring Laurence Olivier and Merle Oberon, and the 1997 version when Ralph Fiennes and Juliette Binoche took on the title roles. Andrea Arnold took a very different approach to the book, filming in North Yorkshire using hand held cameras, and casting mainly non-professional actors, including unknown Leeds actor James Howson who took the lead role of Heathcliff, and was the first black actor to play the part on screen.

Tickets are £3 on the door; no need to book in advance.  Certificate 15.

 Watch the trailer

Read this blog review

Desecration of Brontë Bell Chapel

An organised gang of stone thieves is thought to be behind a robbery in Thornton near the historic Bell Chapel, which is connected with Brontë baptisms. About thirty yards  of heavy stone was ripped up - with a total monetary worth of just five hundred pounds. Three gravestones were included in the haul.

The gravestones are six feet by three feet each and six inches thick - which means that it would take four hefty men to lift each one.

“We’re shocked that the church has been desecrated. Some of the graves date back two hundred years. This has upset a lot of local people, it’s just awful,” Old Bell Chapel action group co-ordinator Steve Stanworth said.

Local people have put in twelve years of voluntary labour to restore the Brontë Bell Chapel, and feelings are running high. One stolen gravestone is dated 1790, and another was for John and Mary Pickles and five children, from the early nineteenth century. Another bears the names of Hannah and James Abbott and their 28-year-old daughter Mary. They died in 1828.

The police are appealing for information: the thefts took place between 9pm on Friday 19 October and 8am on Saturday 20 October. Anybody who knows anything about the incident should ring Crimestoppers - 0800 555 111                Click here to email this blog.

Link to BBC report is here.                          Photo: BBC


Read this story from the Huddersfield Daily Examiner about a gang of stone thieves, and this story from The Telegraph about metal thieves operating in Hornchurch, Essex.

In Search of the Brontës in Brussels

Laura Rocklyn writes from New York:

Every time I have read the passage at the beginning of The Professor in which William Crimsworth summons up his memories of Brussels saying, “Belgium!  I repeat the word now as I sit alone near midnight.  It stirs my world of the past like a summons to resurrection,” (Professor 41), I have wanted to visit Belgium and the spots that Charlotte Brontë knew while living there.  This spring I finally realized that dream when I was able to stop in Brussels during a trip around Belgium with my mother.

As I began planning for my day in Brussels, I was astounded by how little information is available about the Brontë sights in modern-day Brussels, but, through the magic of the internet, I found a little book entitled Brussels for Pleasure that details thirteen walks around the city and included one called “Charlotte Brontë and the royal quarter.”  Many of the sights that I had wanted to visit from The Professor, Villette and from the letters Charlotte wrote during her time in Brussels were included in the walk.

Excitement had me up early on my morning in Brussels and ready to set out to find all of the places I was looking for in the city. First on my list was the site of the Pensionnat Heger where Charlotte and Emily both studied, and where Charlotte spent time as a teacher.  I knew that the actual building had been demolished in 1909, but that the statue of General Belliard and the worn flight of steps described in Villette and in The Professor were still there to mark the spot.

After making good use of my rusty high school French to ask directions, we finally made our way as far as the Place Royale.  I felt an enormous rush of excitement when I saw the beautiful white buildings rising up before me -- “the magnificent street and square, with the grandest houses round” (Villette 55) that Lucy had hurried through in search of the inn that Graham had directed her to upon her arrival in Villette -- and I knew that I was close to the end of my search.  I followed the Rue Royale, with anticipation rising at every step, until the statue of General Belliard appeared on my left just as Graham had said it would in his directions to Lucy.  And there I, like William Crimsworth, “stood awhile to contemplate the statue of General Belliard and then I advanced to the top of the great staircase just beyond” (The Professor 45).  Sadly, the staircase is now covered with graffiti and the view at the bottom is of a disappointingly modern street, but it was still such a splendid feeling to be standing on that spot I had read about so many times!

Next, I crossed the street and went into the Parc de Bruxelles where Lucy ended up at the Assumption Day fete. We found the bandstand where she spotted Graham and Paulina, which Lucy describes as “ a Byzantine building – a sort of kiosk near the park’s center,” (Villette 425).  It was really thrilling for me to find this particular site because it was one of the spots I had been afraid would be too well-hidden for me to find in the somewhat overgrown and labyrinthine park with so little direction from the novel.

After exploring the park, I walked down the hill to the Cathedral of Saint Gudule where both Lucy in Villette and Charlotte in real life were moved to make confession.  I could not imagine the feelings of someone who was brought up in Haworth upon being confronted with the portentous grandeur of this cathedral.  On the cloudy day of my visit, I could easily see the aptness of the description in Villette, “It was an old solemn church, its pervading gloom not gilded but purpled by light shed through stained glass” (Villette 147).  In the side isles of the nave some of the beautiful antique carved Confessionals were still on display – three on each side of the nave.  A thrill at the thought of Charlotte’s experience in one of these Confessionals made me stop in my tracks and examine the ornate carvings of the Confessionals more closely.  I bought a small medallion of St. Gudule in the gift shop before we left as a reminder of the day and of the experience.

The next stop was Waterloo in honor of the victory won there by Arthur Wellesley, 1st Duke of Wellington, and father of Arthur Adrian Wellesley, who young Charlotte Brontë turned into the Duke of Zamorna as the hero of her Angrian tales.  I began at the Wellington museum, which has been created at the inn where the Duke spent the night before the battle in 1815.  In the room where the Duke of Wellington had staid, a waxwork figured of him has been placed as if working at his desk, and it was a strange thrill on a Brontë-themed trip to see the portrait behind him labeled “Arthur Wellesley.”

Next I went out to the battlefield itself where I scaled the Lion Mount to view the surrounding fields.  It was difficult to imagine that such a horrible, bloody event had taken place on that peaceful, green farmland.  It was also remarkable to contemplate the number of works of literature that have taken inspiration form the events that took place at that field on June 18, 1815.  Many of my favorite novels, from Thackeray’s Vanity Fair to Tolstoy’s War and Peace to Hugo’s Les Miserables, have pivotal scenes set during and around the Battle of Waterloo.

The quick visits I was able to make to each of these spots only made me want to return and explore them with more leisure, and to see if I could not unearth other well-hidden Brontë sites in Brussels.  The beauty and interest of the sites made them all well worth the visit, and I would highly recommend such a trip to any other Brontë enthusiast!

Brief Bibliography:

Blyth, Derek. Brussels for Pleasure: Thirteen Walks Through the Historic City. (London: Pallas Athene, 2003).

Brontë, Charlotte, The Professor. (Hertfordshire: Wordsworth Classics, 1994).

Brontë, Charlotte, Villette. (Hertfordshire: Wordsworth Classics, 1994).

Richard Wilcocks adds: The Brussels Brontë Blog can be found here.