There's still a little time to pay an online visit to the Parsonage shop before Christmas - how about a Jane Eyre card for your favourite fellow aficionado? Or would you prefer something to do with Wuthering Heights? A 2016 calendar? Visit the shop here.
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Saturday, 19 December 2015
Jane Eyre Christmas Card
There's still a little time to pay an online visit to the Parsonage shop before Christmas - how about a Jane Eyre card for your favourite fellow aficionado? Or would you prefer something to do with Wuthering Heights? A 2016 calendar? Visit the shop here.
Tuesday, 15 December 2015
Ferndean Manor under threat
Wycoller Hall |
Called Wycoller Hall in real life, Ferndean Manor is the centrepiece of the gorgeously romantic Wycoller hamlet clustered around a stream at the heart of Wycoller Country Park. Its moody scenery and residents inspired the Brontës.
Lancashire County Council, which cares for the ruined Hall, the Brontë Way and the surrounding countryside is planning to completely close down the management, maintenance and ranger service. Visitors will no longer be able to see the great aisled barn or use the countryside activity centre. The visitor toilets will close and the privately run cafe and shop are unlikely to survive. Wycoller hamlet is Lancashire's prettiest visitor destination with thousands of visitors served by dozens of volunteers - who want to do more to promote the place. It is managed by countryside ranger with a modest budget. Any cost savings from closing it down will be negligible and the volunteers scattered.
Click here to sign the petition
Monday, 9 November 2015
Robin Walker's Bicentenary composition: “Letter to Brussels”
Pamela Nash writes:
Robin Walker |
In Charlotte Brontë's Villette, the protagonist Lucy Snowe wrestled with the grief of unattainable love and "dreamed strangely of disturbed earth, and of hair, still golden and living, obtruded through coffin chinks." A family record passed down to the composer Robin Walker
echoes the imagery: his great-great-grandfather, in attending Charlotte's
funeral, recalled seeing a violet-coloured (hair?) ribbon hanging out of her
coffin*. A potent yet simple detail
which provides for us a rarefied token of a tragic end, and whilst the Villette
comparison lends a further frisson to the pathos of her death, the real tragedy
perhaps lies in the paradox between the unrequited love in the pages of the
author's work and that played out in her own life; while Lucy Snowe managed to
repress the tyranny of desire - the “bottled storm” - Charlotte Brontë herself could not, as her letters to Constantin Heger
reveal.
Nothwithstanding his ancestral connection, Robin Walker
finds a powerful artistic affinity with Charlotte through these letters to
Heger, and in commemoration of her bicentenary, he has composed a song setting
of two of the letters for soprano and piano.
Having also produced a song-cycle of five of Emily Brontë's poems (premiered in 2014), he continues to draw
inspiration and solace from the work of both sisters, arising partly out of a
sense of “fellow feeling” and partly out of the absolute contemporary relevance
of their work to him as a composer. He
identifies particularly with the emotional evaluation within their writing -
the processing of experience through feeling - and, like the Brontës, his own compositional processes are founded in an
instinctual response to both discipline and passion.
It is the meeting of these elements which
forms the equilibrium in the new song: although structurally a conflation of
the two Heger letters, the wording is completely preserved and the approach to
crafting the music reflective of the letters' own expressive shape:
“introduction - desperate statement - then, calm.” Robin's response to the texts was nothing
short of visceral: “I felt the force, the beating heart; that completely
understandable rage at unrequited love for a man who gave her a unique taste of
power and affection.” What interested
him most however - and what he dramatised in the song - was the conflict within
Charlotte's “inner life”: behind all her expostulating was a desperate need to
escape the stifling constraints of Protestantism and the patriarchy of her
father. “She is externalising her own
drama, with the purpose of relieving herself; through writing the letters,
Charlotte overcomes her state of mind - from a state of uncertainty and
turbulence to one of stability and sanity, but with literary restraint and
structural control. That containment and
rationalising of the emotional response is the same process that we as
composers have to undergo in order to make it recognisable as emotion to
others: the transmutation of what it is to be alive, into an artefact.”
* See Betty Emmaline Walker, The
Green Lanes: A Westmorland Childhood (York, 1998), pp. 49-50
Friday, 6 November 2015
Winifred Gérin, biographer of the Brontës
To
celebrate the Brontë bicentenaries, Helen MacEwan has written a new book
exploring the life of one of their most important biographers. On 21 November
at Waterstones Piccadilly, she will be launching Winifred Gérin, biographer
of the Brontës (publication date 15 November).
Having
written about the Brontës in Brussels, Helen first became interested in Gérin’s
life story because of her Belgian links and her special interest in Charlotte
Brontë’s Brussels period.
Winifred Gérin (1901-81) is known as the biographer
who moved to Haworth to write the lives of all four Brontë siblings, literally
treading in their footsteps as she researched them. But her ten years in
Haworth were just part of a romantic, eventful and sometimes tragic life.
Marriage to a Belgian cellist, Eugène Gérin, took
her to Paris and then, in 1939, to Brussels where the couple worked for the
British Embassy. Following the German invasion of 1940 they had various
hair-raising adventures in France, finally escaping to Britain where they
worked for Political Intelligence. After Eugène Gérin’s death in 1945, Winifred
sought consolation in writing poetry and plays until discovering both her
literary vocation and second love on a fateful first visit to Haworth.
Gérin went on to write biographies of Elizabeth
Gaskell, Anne Thackeray Ritchie and Horatia Nelson. She also wrote plays about
Jane Austen, Fanny Burney and Charlotte Brontë. This book is based on her
letters and her unpublished memoir.
Waterstones Piccadilly, 203-206 Piccadilly,
W1J 9HD
Saturday 21
November, 2 pm
Sunday, 1 November 2015
Charlotte Brontë: A Life by Claire Harman - quotes from recent reviews
This is a comprehensive biography to enjoy and admire. Harman writes well and she is a fine and sensitive critic (The Times)
Finely judged and authoritative (Sunday Times Book of the Week)
Elegantly written, consistently perceptive (Daily Mail Book of the Week)
Superb retelling of Charlotte's story (...) admirably concise (The Spectator)
Harman... portrays Bronte's complexity and dark genius in elegant prose with deep human sympathy (The Lady)
Harman tells [Charlotte's] story with quick wit, a sharp sympathy, and a fire and fury of her own (Evening Standard)
Full of pleasing and piquant detail, scraps of passing recollection assembled from the various lives and letters in which the Brontes featured and from which we might reconstruct their world (Financial Times)
An extraordinary book, crammed with scholarship and glittering with trivia . . . Harman's book offers so many delights . . . This is a fantastic compendium (Independent on Sunday on 'Jane's Fame')
A shrewd but unstuffy critic, Harman's prose rings with good sense, affection and humour... [She] manages to be not only scholarly, but indecently entertaining. (Daily Mail on 'Jane's Fame')
Rich and colourful...Harman's book is a delight from beginning to end... This superb biography not only handles the familiar material with flair but goes further than previous biographies (Sunday Times on 'Robert Louis Stevenson: A Biography')
Superbly readable... she has excellent taste. A marvellous and eventful read (Evening Standard on 'Robert Louis Stevenson: A Biography')
There is no doubt that Harman is the first to treat this fascinating subject in an accessible, lively manner unshackled by academic jargon. It's the quality of the insights and the interpretations that make this book such a good read (Sunday Telegraph on Jane's Fame)
Finely judged and authoritative (Sunday Times Book of the Week)
Elegantly written, consistently perceptive (Daily Mail Book of the Week)
Superb retelling of Charlotte's story (...) admirably concise (The Spectator)
Harman... portrays Bronte's complexity and dark genius in elegant prose with deep human sympathy (The Lady)
Harman tells [Charlotte's] story with quick wit, a sharp sympathy, and a fire and fury of her own (Evening Standard)
Full of pleasing and piquant detail, scraps of passing recollection assembled from the various lives and letters in which the Brontes featured and from which we might reconstruct their world (Financial Times)
An extraordinary book, crammed with scholarship and glittering with trivia . . . Harman's book offers so many delights . . . This is a fantastic compendium (Independent on Sunday on 'Jane's Fame')
A shrewd but unstuffy critic, Harman's prose rings with good sense, affection and humour... [She] manages to be not only scholarly, but indecently entertaining. (Daily Mail on 'Jane's Fame')
Rich and colourful...Harman's book is a delight from beginning to end... This superb biography not only handles the familiar material with flair but goes further than previous biographies (Sunday Times on 'Robert Louis Stevenson: A Biography')
Superbly readable... she has excellent taste. A marvellous and eventful read (Evening Standard on 'Robert Louis Stevenson: A Biography')
There is no doubt that Harman is the first to treat this fascinating subject in an accessible, lively manner unshackled by academic jargon. It's the quality of the insights and the interpretations that make this book such a good read (Sunday Telegraph on Jane's Fame)
Claire Harman is the award-winning biographer of Sylvia Townsend Warner (1989), Fanny Burney (2000) and Robert Louis Stevenson (2005) and the author of the best-selling Jane's Fame: How Jane Austen Conquered the World (2009). She writes regularly for the literary press on both sides of the Atlantic and was elected a Fellow of the Royal Society of Literature in 2006.
Her most recent work is Charlotte Bronte: A Life.Charlotte Brontë: A Life by Claire Harman - Independent Review
Review by Lucasta Miller
http://ind.pn/1Q3lEy2
http://ind.pn/1Q3lEy2
Charlotte Brontë: A Life by Claire Harman - Guardian Review
A review by Kathryn Hughes
http://bit.ly/1SggWw1
http://bit.ly/1SggWw1
Tuesday, 20 October 2015
Charlotte Brontë's Secret Love by Jolien Janzing
A review of this new novel from The Bookseller:
We love this book
Charlotte Brontë is among the iconic names of English literature and in this wonderful novel Jolien Janzing gives readers a fascinating fictionalised glimpse into the life of the woman behind Jane Eyre.
Taking as her inspiration Charlotte and sister Emily’s time in Brussels, where they studied and eventually taught, Janzing weaves an evocative tale of Charlotte’s coming of age and emotional and romantic awakening. At the heart of it is Constantin Heger, Charlotte’s tutor and husband of the school’s headmistress Claire Heger, who Charlotte finds herself falling in love with despite the age gap and his marital status. And set against Charlotte’s story, Janzing introduces a compact parallel fictionalised account of Arcadie Claret, the teenage girl from Brussels with whom King Leopold I of Belgium conducted a 20-year affair.
Yet it is Charlotte Brontë and Janzing’s characterisation and portrayal of her internal struggle that captivates the reader. Admittedly the romance between her and Constantin remains quite veiled and although Charlotte’s feelings are evident, Constantin’s, while alluded to, are somewhat undefined, yet in a way this merely adds to the bittersweet nature of the whole situation.
What Janzing does so beautifully is give a real sense of the experiences, emotions and motivations of Charlotte in Brussels that later feed into her own work. Similarly, Emily, who we are given telling glimpses of, comes across vividly as the woman who would go on to create Wuthering Heights. What we have are really portraits of the authors as young women; we see the personalities, character traits and life experiences that will define their literature, and in the case of Charlotte, some of the pivotal moments and relationships in her life that will shape and develop her very consciousness.
Review in the Blackpool Gazette -
http://bit.ly/1P4mafP
http://www.welovethisbook.com/reviews/charlotte-brontes-secret-love
More information: http://jolienjanzingenglish.com/
*Email your review to heveliusx1@yahoo.co.uk
More information: http://jolienjanzingenglish.com/
*Email your review to heveliusx1@yahoo.co.uk
Thursday, 15 October 2015
Back on the Brontë trail in Ireland
Marina Saegerman writes:
The 2015 annual
holiday was spent as usual in our beloved holiday spot: Ireland.
Of course, being an
Ireland fanatic and a Brontë fan, it is no wonder that especially the “ Irish
connection” of the Brontë story is an attraction to me.
After having visited
Banagher in 2013 (where Arthur Bell Nicholls grew up and spent the last years
of his life) and the Northern Irish homeland in 2014 (Rev. Patrick Brontë’s
roots), we were once more on the Brontë trail, this time in the Connemara.
Ever since I read the
books on the life of Arthur Bell Nicholls two years ago, I have become
fascinated by this man who played such a significant role in Charlotte Brontë’s
life. Over the years, without even realizing it, my husband and I visited the
places in Ireland related to the Brontës, in particular the places Charlotte
and Arthur visited on their honeymoon.
When reading the story
about Arthur Bell Nicholls’ life I discovered where he came from and where he
spent his life after returning to Ireland. I came across a few other places
that needed further investigation. One of them was Kill House near Clifden in
the Connemara. This is the house where Arthur’s cousin, Harriette Bell lived with
her husband and six of their seven children. Harriette was the cousin Arthur
proposed to in 1851 and who declined his proposal.
My husband and I
became intrigued with this house. We had been looking at the internet and found
a vague location near the Sky road (Clifden). We knew the area quite well and
have been driving around on the Sky road peninsula many times, but we could not
figure out where the house would be situated.
This year, armed with
a google map (very vague) and an old picture of the house, we went back to the
Sky Road peninsula to have a better look. We were driving very slowly so as to
have a good look at all the “big” houses we passed . We took all possible
byways and turned corners on very narrow roads. Driving a van on those narrow Irish
roads is not an easy thing to do, believe me! Finally, I thought I
saw a house in the far distance that looked like a house similar to the one in
the picture. We took the byway, which led us to a peninsula off the Sky road peninsula,
and arrived in a “village” (which we later found out to be Cill). We recognized
the place, we had been there many years ago to try and find a B&B with
angling facilities, where some Belgian anglers had been staying. The house that
I had seen in the distance was near that B&B, up the hill. Great was my joy
when we arrived and it matched exactly the picture that I had in my hand. The
sign next to the gate confirmed this. We had found “Kille House”! I was over
the moon.
The house is now in
private hands and cannot be visited. But just standing there at the gate and
looking at the house was enough for me! Another personal mission accomplished! Two weeks later we
were back in Northern Ireland, Co. Down, to meet up with Margaret Livingston
and Finny O’Sullivan from the Northern Irish Branch of the Brontë Society. Last
year Margaret and Finny took us on the homeland trail to trace Rev. Patrick
Brontë”s roots. Finny mentioned some other places that we might visit this year,
off the beaten track again, and certainly not on the homeland tour. So, off we
went again, on a Brontë tour with a difference!
The first stop was
Tully farm in Killead (Co. Antrim), the house where Arthur Bell Nicholls was
born. It is a two-storey farmhouse looking out across the fields to Lough Neagh
and the Sperrin mountains. The house has changed since the days that Arthur
lived here with his parents, William and Margaret Nicholls (née Bell), and his
brothers and sisters. Arthur lived here up to the age of 7 when he and his
brother Alan moved to Cuba House in Banagher to live with their uncle Dr. Alan
Bell and his family. Dr. Alan Bell raised the two boys as his own, offered them
a good education and ensured a good start in life for them, which they would
not have had if they had stayed in Killead.
The next stop on our tour was Killead Church and graveyard
on Drennans Road, where we visited the grave of Arthur Bell Nicholls’ parents
and some of his siblings. It is said that Arthur and his brother never went
back to their birthplace and never saw their parents again, although the
families did keep in touch. Margaret Nicholls née Bell was born in the nearby
village of Glenavy, and that was where we were heading to next: Glenavy Church
and graveyard. The Bell graves are not easy to find, you really must know where
to look, but luckily for us, Finny did know. The graves are very overgrown and
it is very difficult to decipher the names , but we could discover a few names
of the Bell family on the gravestones.
We had one more stop
to do on this special tour: the protestant old Church of Magherally and its graveyard,
a few miles out of Banbridge. It was here that Rev. Patrick Brontë’s parents
Hugh Brunty and Alice McClory were secretly married in 1776. The church is a
ruin nowadays, but enough is left of it to see how it would have looked like.
An additional bonus at the graveyard (not Brontë related) was the fact that the
famous Irish poet Helen Waddell (I came across her name and poems when doing
research for my next calligraphy project on
Irish poetry) was buried in this old graveyard. I knew she was from the
area but did not know she was buried in this particular graveyard.
I really enjoyed this
special tour and learned a lot about the relatives of Arthur Bell Nicholls,
facts I had read about in the biographies (see note below), but came alive when
visiting the actual area where the family had lived. Finny proved to be a real fountain
of knowledge during this tour.
Last year I thought
we had seen all the Brontë links in Ireland. I wonder, what next year will bring!
19 September 2015
For further reading, the following
books can be recommended:
“My dear boy - the life of Arthur Bell Nicholls
“(Margaret and Robert Cochrane)
“Mr Charlotte Brontë – the life of Arthur Bell
Nicholls” (Alan H. Adamson)
Tuesday, 8 September 2015
Abismos de Pasión
Karol Novak writes:
Perhaps
a reader of this blog is able to help me. I am writing about the
surrealists and Emily Brontë, concentrating at this moment on Luis
Buñuel's Cumbres
Borrascosas – Abismos de Pasión - Wuthering Heights,
which appeared in 1953. The themes fascinated the director's
followers. I particularly want to know about the actress playing Cathy who had the stage name of Irasema Dillian – but any help will be welcomed.
Michael Baumber
Isobel Stirk writes:
Brontë Society members and anyone with an interest in Haworth, past and
present, will be saddened to hear of the death of Michael Baumber.
Michael
was a retired history teacher and his book General-at-sea: Robert Blake and the Seventeenth Century Revolution in Naval Warfare was written over twenty years
ago. Michael had detailed knowledge of the Old Testament and his
sermons, given as a Lay Reader in the Church of England, were always
interesting and anticipated with pleasure.
In
2009 his book - A
History of Haworth from Earliest Times- was
published. It
is a mine of information which emphasises that, although the Brontë family played a big part in making the village known throughout the
world, Haworth has a long and fascinating history.
Michael was always willing to
share his knowledge with others and I was lucky enough to have many a
conversation with him about the Bronte family and Haworth itself. He
always answered my numerous questions with patience and it was a
pleasure to take him, on quite a few occasions, to the County
Records’ Offices in Northallerton, when he wanted look at the
archives there, when he was researching for one thing or another.The
miles would speed past as Michael would wax lyrical about the special
project he was undertaking and the journeys were certainly never
boring.
A
learned man- he will be sadly missed.
His
funeral service will be held at The Church of St. Andrew, Kildwick in
Craven, at 10am on 18 September.
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